He is just back from the Berlin Congress, bringing "Peace with
Honor." The Continent has stood a-tiptoe to see the wonderful English
Earl pass and repass. He has been the lion of a congress that included
Bismarck. The laurels and the Oriental palm placed by his landlord on
the hotel-balcony have but faintly typified the feeling of Europe. His
feverous reception in England, from Dover pier onwards, has recalled
an earlier, a more romantic world. Fathers have brought their little
ones to imprint upon their memories the mortal features of this
immortal figure, who passes through a rain of flowers to his throne in
Downing Street. The London press, with scarce an exception, is in the
dust at his feet--with the proud English nobles and all that has ever
flouted or assailed him.
The sunshine comes floridly through the stained-glass windows, and
lies upon the austere crucifix.
III
By what devious ways has he wandered hither--from that warm old
Portuguese synagogue in Bevis Marks, whence his father withdrew under
the smart of a fine from "the gentlemen of the Mahamad?"
But hark! The parson--as paradoxically--is reading a Jewish psalm.
"'_The Lord said unto my lord: Sit thou on my right hand,
until I make thine enemies thy footstool.
The Lord shall send the rod of thy power out of Zion: be
thou ruler in the midst of thine enemies.
In the day of thy power shall the people offer thee freewill
offerings with a holy worship: the dew of thy birth is of
the womb of the morning._'"
The Earl remains impassive.
"Half Christendom worships a Jewess, and the other half a Jew."
Whom does he worship?
"Sensible men never tell."
IV
Yet in that facial mask I seem to read all the tale of the long years
of desperate waiting, only half sweetened by premature triumphs of pen
and person; all the rancorous energies of political strife.
And as I gaze, a sense of something shoddy oppresses me, of tinsel and
glitter and flamboyance: a feeling that here is no true greatness, no
sphinx-like sublimity. A shadow of the world and the flesh falls
across the brooding figure, a Napoleonic vulgarity coarsens the
features, there is a Mephistophelian wrinkle in the corner of the
lips.
Public-domain text, read in full here on John Shaqi.
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