All the evening, throughout the conversation and the forfeits and
the merry-making, Stephen Gray spoke and moved and thought only
for Adelais, and she for Stephen's twin brother. It was for Maurice
that she sang, while Stephen stood beside her at the piano, drinking
in the tender passionate notes as though they were sweet wine for
which all his soul were athirst; it was at Maurice that she smiled,
while Stephen's eyes were on her face, and to Maurice that she
prattled and sported and made mirthful jests, while Stephen alone
heeded all that she said and did; for the younger brother was
reflected in every purpose and thought of hers, even as her own
image lay mirrored continually in the heart and thoughts of the elder.
But before the hour of parting came that night, Stephen drew Adelais
aside from the others as they sat laughing and talking over some
long-winded story of the old wine-merchant's experiences, and told
her what she, in the blindness of her own wild love, had never
guessed nor dreamed of,--all the deep adoration and worship of his
soul. And when it was told, she said nothing for a few minutes,
but only stood motionless and surprised, without a blush or tremor
or sigh, and he, looking earnestly into her fair uplifted face,
saw with unutterable pain that there was no response there to the
passionate yearning of his own.
"Adelais," said he, presently, "you do not love me?"
"Yes, yes, Stephen," she answered, softly; "as a brother, as a
dear brother."
"No more?" he asked again.
She put her hand into his, and fixing the clear light of her brown
eyes full upon him: "Why," she said, hurriedly, "do you ask me this?
I cannot give you more, I cannot love you as a husband. Let no
one know what has passed between us tonight; forget it yourself
as I shall forget also, and we will always be brother and sister
all our lives."
Public-domain text, read in full here on John Shaqi.
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