Next morning I gathered my June roses and sweet jasmin, and took
them over to the house of the little old man. I went upstairs into
the darkened chamber where they had laid him, and bestowed the
flowers reverently about the white-draped bed. All the wrinkles
were wiped out of his pallid face now, and he looked so wondrously
calm and peaceful, lying there with his closed eyelids and crossed
hands, in the unbroken silence of the room, that the tears of pity
I thought I should have wept at the sight never rose in my eyes;
but instead, as I turned away, there came to my memory certain
closing lines of a most beautiful poem, written not very long ago
by a master-hand that surely held God's commission to write. It
is a dead hand now, but the written words remain, and the singer
herself has gone to the land of the Hereafter, where the souls of
the poets float for ever in the full light of their recovered Godhead,
singing such songs as mortal ear hath not yet heard, nor mortal
heart conceived of. And the poem of which I spoke, has this ending:--
"`Jasper first,' I said,
`And second, sapphire; third, chalcedony.
The rest in order,--last, an amethyst."'
VII. The Nightshade
"But silence is most noble till the end."--Atalanta in Calydon.
Chapter I.
Somebody, the other day, presented me with a bunch of crimson roses
and purple nightshade, tied together.
Roses and nightshade!
I thought the combination worthy of a poem!
For the rose, as all the world conceives, is the emblem of love;
and the nightshade typifies silence.
I put my posy in a little vase filled with water, and when night
came, I lay down to rest, with my head full of vague rhymes and
unfledged ideas, whose theme was still my eccentric nosegay. Sleep,
however, overtook the muse, and the soft divinities of darkness,
weaving their tender spells about me, dissolved my contemplated
sonnet into a dream.
It seemed to my sleeping fancy that I stood in a deep, serene light
of shadowy purple, grave and sombre,--a light which suggested to
me the sound of low minor chords, the last notes of some organ
voluntary, dying beneath a master's touch, and rolling down the
hazy aisles of an empty cathedral, out into the gloomy night, and
upward to the stars.
A spirit floated in the air before me,--a phantom draped in heavy
sweeping robes of dense purple, but with eyes of such vivid and
fiery brightness, that I could not look upon them; and my heart
quailed in my bosom with a strange oppressive sense of fear and
wonder. Then I felt that her awful gaze was fixed upon me, and
a voice, low and sonorous as the tones of an organ, broke on my
ear with an intense pathos, unutterably solemn:--
Public-domain text, read in full here on John Shaqi.
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