Dreams, Waking Thoughts, and IncidentsBeckford, William
General
Dreams, Waking Thoughts, and Incidents
Beckford, William
Beckford, William, 1760-1844
them, each with his right hand towards the fire: it was the office of
some to seize the firebrands of the altars, with which they sprinkled
holy water on the numberless bystanders. Then began the prayers, the
hymns, and lustrations of the sacrifice. The priests had laid the
victims with their throats downward upon the altars; were ransacking the
baskets of flour and salt for the knives of slaughter, and proceeding in
haste to the accomplishment of their pious ceremonies;—when one of our
company, who thought me lost, returned with impatience, and calling me
off to some new object, put an end to my strange reverie. We were now
summoned to pay some attention to the scene and corridor of a theatre,
not far from the temple. Little more of its remains being yet cleared
away, we hastened back to a small house and garden in the neighbourhood
of Isis. Sir W. Hamilton (in his account of Pompeii communicated to the
Society of Antiquaries), when speaking of this house, having taken
occasion to give a general idea of the private mansions of the ancient
citizens, I shall take the liberty of transcribing the whole passage. “A
covered cloister, supported by columns, goes round the house, as was
customary in many of the houses at Pompeii. The rooms in general are
very small, and in one, where an iron bedstead was found, the wall had
been pared away to make room for this bedstead; so that it was not six
feet square, and yet this room was most elegantly painted, and had a
tesselated or mosaic floor. The weight of the matter erupted from Mount
Vesuvius has universally damaged the upper parts of the houses; the lower
parts are mostly found as fresh as at the moment they were buried. The
plan of most of the houses at Pompeii is a square court, with a fountain
in the middle, and small rooms round, communicating with that court. By
the construction and distribution of the houses, it seems, the
inhabitants of Pompeii were fond of privacy. They had few windows
towards the street, except where, from the nature of the plan, they could
not avoid it; but even in that case the windows were placed too high for
anyone in the streets to overlook them. Their houses nearly resemble
each other, both as to distribution of plan, and in the manner of
finishing the apartments. The rooms are in general small, from ten to
twelve feet, and from fourteen to eighteen feet; few communications
between room and room, almost all without windows, except the apartments
situated to the gardens, which are thought to have been allotted to the
women. Their cortiles, or courts, were often surrounded by porticos,
even in very small houses; not but there were covered galleries before
the doors of their apartments to afford shade and shelter. No timber was
used in finishing their apartments, except in doors and windows. The
floors were generally laid in mosaic work. One general taste prevailed
of painting the sides and ceilings of the rooms. Small figures and
Public-domain text, read in full here on John Shaqi.
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