We entered one of them: its inhabitant received us with much civility, walked before us through a little corridor that looked on his garden, showed us his narrow dwelling, and, having obtained leave of the Coadjutor to speak, gave us his benediction, and beheld us depart with concern. Nature has given this poor monk very considerable talents for painting. He has drawn the portrait of the late General, in a manner that discovers great facility of execution; but he is not allowed to exercise his pencil on any other subject, lest he should be amused; and amusement in this severe order is a crime. He had so subdued, so mortified an appearance, that I was not sorry to hear the bell, which summoned the Coadjutor to prayers, and prevented my entering any more of the cells. We continued straying from cloister to cloister, and wandering along the winding passages and intricate galleries of this immense edifice, whilst the Coadjutor was assisting at vespers. In every part of the structure reigned the most death-like calm: no sound reached my ears but the “minute drops from off the eaves.” I sat down in a niche of the cloister, and fell into a profound reverie, from which I was recalled by the return of our conductor; who, I believe, was almost tempted to imagine, from the cast of my countenance, that I was deliberating whether I should not remain with them for ever. But I soon roused myself, and testified some impatience to see the great chapel, at which we at length arrived, after traversing another labyrinth of cloisters. The gallery immediately before its entrance appeared quite gay, in comparison with the others I had passed, and owes its cheerfulness to a large window (ornamented with slabs of polished marble), that admits the view of a lovely wood. Being neatly glazed, and free from paintings or Gothic ornaments, it allows a full blaze of light to dart on the chapel door; which is also adorned with marble, in a plain but noble style of architecture. The father sacristan stood ready on the steps of the portal to grant us admittance; and, throwing open the valves, we entered the chapel and were struck by the justness of its proportions, the simple majesty of the arched roof, and the mild solemn light, equally diffused over every part of the edifice. No tawdry ornaments, no glaring pictures, disgraced the sanctity of the place. The high altar, standing distinct from the walls, which were hung with a rich velvet, was the only object on which many ornaments were lavished, and even there the elegance of the workmanship concealed the glare of the materials, which were silver, solid gold, and the most costly gems. It being Whit-Sunday, this altar was covered with statues of gold, shrines, and candelabra of the stateliest shape and most delicate execution. Four of the latter, of a gigantic size, were placed on the steps; which, together with part of the inlaid floor within the choir, were spread with beautiful carpets.