Dreams, Waking Thoughts, and IncidentsBeckford, William
General
Dreams, Waking Thoughts, and Incidents
Beckford, William
Beckford, William, 1760-1844
the enchanted circle, I discovered still, another Morpheus; stretched
carelessly on a mantle, with poppies in his hands; but no wings grow from
his temples, nor lion supports his head. A moth just issuing from his
chrysalis is the only being which seems to have felt his soporific
influence; whereas the other god I have mentioned may vaunt the glory of
subduing the most formidable of animals.
The morning was gone before I could snatch myself from the Tribune. In
my way home, I looked into the cathedral, an enormous fabric, inlaid with
the richest marbles, and covered with stars and chequered work, like an
old-fashioned cabinet. The architect seems to have turned his building
inside out; nothing in art being more ornamented than the exterior, and
few churches so simple within. The nave is vast and solemn, the dome
amazingly spacious, with the high altar in its centre, inclosed by a
circular arcade near two hundred feet in diameter. There is something
imposing in this decoration, as it suggests the idea of a sanctuary, into
which none but the holy ought to penetrate. However profane I might feel
myself, I took the liberty of entering, and sat myself down in a niche.
Not a ray of light reaches this sacred inclosure, but through the medium
of narrow windows, high in the dome and richly painted. A sort of yellow
tint predominates, which gives additional solemnity to the altar, and
paleness to the votary before it. I was sensible of the effect, and
obtained at least the colour of sanctity.
Having remained some time in this pious hue, I returned home and feasted
upon grapes and ortolans with great edification; then walked to one of
the bridges across the Arno, and surveyed the hills at a distance,
purpled by the declining sun. Its mild beams tempted me to the garden of
Boboli, which lies behind the Palazzo Pitti, stretched out on the side of
a mountain. I ascended terrace after terrace, robed by a thick underwood
of hay and myrtle, above which rise several nodding towers, and a long
sweep of venerable wall, almost entirely concealed by ivy. You would
have been enraptured with the broad masses of shade and dusky alleys that
opened as I advanced, with white statues of fauns and sylvans glimmering
amongst them; some of which pour water into sarcophagi of the purest
marble, covered with antique relievos. The capitals of columns and
ancient friezes are scattered about as seats.
On these I reposed myself, and looked up to the cypress groves spiring
above the thickets; then, plunging into their retirements, I followed a
winding path, which led me by a series of steep ascents to a green
platform overlooking the whole extent of wood, with Florence deep
beneath, and the tops of the hills which encircle it, jagged with pines;
here and there a convent, or villa, whitening in the sun. This scene
extends as far as the eye can reach.
Public-domain text, read in full here on John Shaqi.
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