Dress design $b: an account of costume for artists & dressmakersHughes, Talbot
History
Dress design $b: an account of costume for artists & dressmakers
Hughes, Talbot
Clothing and dress; Clothing and dress -- Great Britain
Waistcoats, which had become much shorter, were now giving place to a
type with a straight-across front and turned-back lapels at the neck;
these large lapels were mostly worn outside over the coat lapel. The
waistcoats were often double-breasted with an embroidered design down
the front between the double row of buttons, and the straight pockets of
these had no flaps; they shortened at the waist in character with the
lapelled coat, but were worn lower than the cut-in shape of the coat,
showing about 3 inches when the coat was fastened. Breeches became very
tight, and trousers begin to appear after 1790. Striped stockings and
suits were much in favour. Top-boots with rather long brown tops were
worn, or high boots with a curved top, with a gold tassel set in front,
were seen. The shoes with latchets and buckles had a low front on the
instep, and from about 1780 took a rather pointed oval toe shape; the
heels were mostly worn shorter. Swords were not so much in use except on
great occasions, but sword-sticks were carried, and heavy club-sticks
were fashionable before 1800. Patches were little used after the
seventies, but the snuff-box was still indispensable. The double long
purse with central rings and tassels at the ends was carried, of knitted
silk or of leather, the former with steel beads and coloured silks
worked together after 1780: small bag purses were also in use, usually
set in gilt mounts and made in the same methods with a tassel below.
[Illustration: Plate XXV.--
(_a_) Silk Dress. 1800-10.
(_b_) Cotton Dress. 1800-10.
(_c_) Embroidered Muslin Dress. 1820-30 (_Pattern, see p._ 339).
(_d_) Silk Gauze Dress. 1824-30.]
[Illustration: FIG. 106.]
CHAPTER VIII
CHARACTER OF TRIMMINGS OF THE NINETEENTH CENTURY.
During the later part of the 18th century, a great deal of tinsel drawn
work was done on fine muslin, and became beautifully treated in delicate
design on the hem and down the front of many of the high-waisted dresses
as in Fig. A, Plate XXIII (see p. 218). Later on towards the twenties we
see a great deal of effective coarse work in heavy gold tinsel, and at
the same time to the forties a number of dresses were ably enriched with
fine gold thread.
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