Dress design $b: an account of costume for artists & dressmakersHughes, Talbot
History
Dress design $b: an account of costume for artists & dressmakers
Hughes, Talbot
Clothing and dress; Clothing and dress -- Great Britain
Dresses gradually assumed a longer waist, and a short pointed bodice
made its appearance here and there from about 1822, when short stays
began to return, and pointed belt corselets were frequent, though the
waistband or sash was chiefly used. Short puffed sleeves of charming
character and workmanship were sometimes set in a gauze sleeve, as in
Fig. C, Plate XXIII (see p. 218). Spencers and pelisses had long sleeves
coming from these short ones; they were rather full, and were caught at
the wrist with a band. The upper sleeve gradually disappeared as the
full-topped sleeves began to develop in size, about 1824; this fullness
was often broken up into gathered parts, a tight cuff-piece usually
finished at the wrist. The high set-up collars and neck-frills gave way
to the flat capes about 1827, though the small ruffs were worn round the
top of the high-necked capes to 1830. The gathered shoulder began
about 1823, and soon became a marked feature; pointed or scalloped
frills and trimmings came into favour from 1825, Fig. B, Plate XXIII
(see p. 218), and about 1827 the sloped appearance in the bodice began
to be noticed as the sleeves were set lower. The shoulders in ball
dresses were shown, and a gathered Bertha of silk or lace was arranged
round the neck of bodice, Fig. D, Plate XXIV (see p. 231), or this form
was made in the pattern as in Fig. C, Plate XXII (see p. 215). The
=V=-shaped piece from the centre of waist or breast began to spread over
the shoulders, where it was opened, as in Fig. B, Plate XXII (see p.
215). This =V= shape was often open down to the waist, where it was filled
in with a centre-piece of embroidery. Skirts were gradually set out
fuller, with stiff-flounced petticoats; they had various simple or
richly decorated borders and fronts, or several small flounces, or one
deep one often with the edges cut into divers shapes.
[Illustration: Plate XXVII.--Outdoor Silk Dress. 1825-35.]
[Illustration: FIG. 111.]
I have striven to give good examples of the marked styles in the various
dated illustrations, as well as the court train to dress, Fig. A, Plate
XXXIII (see p. 282), which also comes into this time.
Shoes were rather round at the toes till near the end of the reign, when
they took a square shape; a tiny rosette or bow was placed at the front
of instep, and they were held by narrow ribbons, crossed and tied round
the ankle. Boots lacing at the inside, with seam down the front, often
had a toe-cap as in Fig. 5, Plate XXI (see p. 202); no heels were worn.
Light gauze scarves were usually carried, and very small fans besides
the larger feather ones. Bags or sachets of the forms illustrated were
painted or embroidered in ribbonwork, chenille, tulle, and coloured
silks.
A few specimens of parasols are also given, and gloves and mittens were
of the same character as in the latter part of the last reign.
Public-domain text, read in full here on John Shaqi.
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