Dress design $b: an account of costume for artists & dressmakersHughes, Talbot
History
Dress design $b: an account of costume for artists & dressmakers
Hughes, Talbot
Clothing and dress; Clothing and dress -- Great Britain
The patterns given of some of the dresses shown in the plates will be
useful as to the measurements of the increase in skirt-width and
sleeves; one may also note the very pointed set-out of the breast,
sometimes made with two gores, which only occurs in this reign. Muffs
were usually of a large size, and a bow with long ends was often worn on
the front.
NINETEENTH CENTURY. GEORGE IV. 1820-30. MALE.
The mode in beaver hats was most varied; high straight crowns with small
brims, others tapering at the top with larger curled brims, or crowns
enlarging at the top with almost straight small brims; a top-hat of
straw is shown on page 309. A short-crowned hat was also worn. The hair
was combed towards the front at either side, and the face shaven, with
the exception of short side-whiskers.
A very high stock of black satin or linen surrounded the throat, with or
without the points of collar showing, and a frilled shirt, often stiffly
goffered.
Coats were very tight-fitting and mostly double-breasted, with long
swallow-tailed skirts, or long full skirts; the waist was rather short,
and the effect of coat-front round-breasted with a high turned-over
collar finished in large lapels, which were often treated with velvets.
The favourite colours for overcoats were greys, buffs, greens, and
blues, and the edges were neatly finished with fine cord. The sleeves,
rather full in the shoulder, became tight on the lower arm, coming to
a curved shape well over the hand, and buttoned up the side. The pockets
were frequently set at an angle, as in illustration, and a short round
cape, or two, was seen on many overcoats. A short type of coat is seen
about 1827, with a single roll collar.
[Illustration: FIG. 112.--Period 1820-1840.]
Waistcoats mostly had a round-shaped lapel, and were often
double-breasted and very shaped at the waist, which was set fairly high;
a long opening allowed the frilled shirt-front full display. There were
also waistcoats having no lapels, no pockets, or no cover-flap; the
points of front were very small, being buttoned to the end, or, with the
double-breasted shape, they were straight across.
Breeches were not so much worn as trousers of cloth, nankeen, drill, and
fine white corduroy; these were usually fastened under the boots with a
strap, others were looser and often worn short, well above the ankle. A
very full type in the upper part peg-tops, was in fashion about 1820-25
amongst the dandies, and for evening dress, very close-fitting breeches
to the knee, or just above the ankle, the latter being opened and
buttoned up to the calf. Pince-nez were favoured, with a heavy black
ribbon, generally worn tucked in the lapels of the waistcoat; and a fob
of gold seals, &c., hung from the braces, below waistcoat pocket.
[Illustration: FIG. 113.--1830-1840.]
Public-domain text, read in full here on John Shaqi.
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