Dress design $b: an account of costume for artists & dressmakersHughes, Talbot
History
Dress design $b: an account of costume for artists & dressmakers
Hughes, Talbot
Clothing and dress; Clothing and dress -- Great Britain
The hair was parted in the centre and tightened in a top setting of
plaits, with side curls over the ears. This mode was retained by many
till the fifties, but the top plaits began to be set lower at the back,
and the same flat parted hair was brought in a curved shape to the
front of the ears, often in a small plait, allowing the ear to show, or
in a plaited knot at either side; about 1850 it was waved, parted, and
simply curved from the forehead over the ears in a fuller manner,
sometimes being turned under to increase the side fullness, while the
back hair was arranged lower down the neck. In the sixties the hair was
waved and caught behind in ringlets or was bunched into the hideous
chignons, which are seen till about 1880.
[Illustration: FIG. 116.--1840-1860.]
The variety of caps and hats is too alarming to deal with, and baffles
comprehensible description, so it is best for the student to dip into
the hundreds of illustrations through this period in the _Ladies'
Magazine_, _Punch_, the _Illustrated London News_, or the _Ladies'
Treasury_ for the later styles.
The straw bonnet with a straighter poke front was favoured till 1850,
when the front became considerably reduced in size and fitted closely
round the face. The larger brimmed bonnets had a little frill by the
ears, and the tight-brimmed bonnet often had the frill all round with a
flower also tucked in effectively to the wearer's taste, and we see this
favoured till the seventies. In the fifties a large flat Leghorn hat
with a small crown was in evidence, the brim dipping back and front,
decorated with feathers or bows, and a three-cornered French hat with
feathers set in the brim came in with revival of the 18th-century style
about 1860. A small bowler hat and a very small "pork-pie" hat appears
in the late sixties, and a tiny-shaped bonnet of a curved form during
the seventies.
[Illustration: Plate XXX.--
(_a_) Printed Silk Bodice. 1840-50.
(_Pattern, see p. 320._)
(_b_) Gathered Linen Bodice. 1837-47.
(_c_) Silk Bodice and Bertha. 1845-55.]
[Illustration: FIG. 117.--1845-1855.]
At the beginning of this long reign we find the pointed bodice with a
normal length of waist has really come to stay, though many dresses
retain the waistband till the fifties, and there is such a confusion of
styles at that time, it is difficult to arrange a sequence. From the
18th century fashions became more complicated in the greater variety of
design, each overlapping the other, and several distinct forms of
character come and go during this long reign. I do not envy the person
who undertakes the chronology of our present period.
Public-domain text, read in full here on John Shaqi.
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