Dress design $b: an account of costume for artists & dressmakersHughes, Talbot
History
Dress design $b: an account of costume for artists & dressmakers
Hughes, Talbot
Clothing and dress; Clothing and dress -- Great Britain
flounced pieces overlapping each other caught up under the bustle, as in
Fig. B, Plate XXXIII (see p. 282).
[Illustration: Plate XXXI.--
(_a_) Embroidered Muslin Outdoor Dress, 1855-65.
(_b_) Riding Habit. 1845-75.
(_c_) Gauze Ball Dress. 1840-55.]
[Illustration: FIG. 118.--Dress improvers, 1865-1875.]
Mantles of a cumbersome type and shot-silk capes with long pointed
fronts were worn, often heavily fringed, the former also being mostly
decorated with braided designs. Large Paisley shawls were much used all
through this reign, besides the cape and hood with its fine tassels
which became very fashionable in the sixties.
Gloves and mittens are seen both long and short, the latter often
beautifully embroidered on the back in the French style. Hand-bags were
often carried, of which examples are given in the plates of a variety of
shapes; the favourite materials for their make were velvets and silks
decorated with bullion, sequins, braids, needlework, and beads, and
these bags were richly set in gilt, silver, or steel mounts.
Parasols were still heavily fringed, and were of the usual shapes. A
very small one was carried in the carriages, and are even seen on the
ladies' driving whips.
Shoes continued in the same heelless sandal character to the sixties for
evening wear, but from the forties most outdoor shoes had a heel and
large rosettes. With the seventies came round toes with a low round
front and bow, and high shaped heels came to stay till the present day.
Boots of white satin, kid, or coloured silks were chiefly worn till the
seventies, reaching just above the ankle, laced up the inner side, but
many wore elastic sides from the fifties; the toes of these were rather
square, and a toe-cap and front seam was made in many of this type. In
the forties a tight rosette was sometimes placed low down towards the
toes, and later, a huge bow was sewn on the front. High boots buttoned
towards the side and very much shaped, with pointed round toes and high
heels were sometimes laced and finished with a pair of tassels. Spats
were always fashionable through this period.
NINETEENTH CENTURY. VICTORIA. MALE.
The same modes of doing the hair remained till the sixties, parted at
one side and worn rather long and waved, with the side whiskers or beard
all round the chin. The side whiskers were allowed to grow long between
fifty-five and seventy, and full beards also became fashionable, while
the hair was parted in the centre from front to back and flattened on
the forehead.
Public-domain text, read in full here on John Shaqi.
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