Driftwood Spars: The Stories of a Man, a Boy, a Woman, and Certain Other People Who Strangely Met Upon the Sea of LifeWren, Percival Christopher
History
Driftwood Spars: The Stories of a Man, a Boy, a Woman, and Certain Other People Who Strangely Met Upon the Sea of Life
Wren, Percival Christopher
India -- History -- British occupation, 1765-1947 -- Fiction
"'There goes old Biddy Maloney pottering about in that plot of ground
again,' thinks I. 'She's got it on the brain since her law-suit.' I knew
it was Biddy, of course, not only because of her coming out of Biddy's
house, but because it was Biddy's figure, walk, crutch-stick, and
patched old cloak. When I got home I happened to say to Mother: 'I saw
poor old Biddy Maloney doddering round that wretched field as I came
along'.
"'What?' said my mother, 'why, your father was called to her, as she was
dying, hours ago, and she's not been out of her bed for weeks.' When my
father came in, I learned that Biddy was dead an hour before I saw
her--before I left the railway station in fact! What do you make of
that? Is there any 'explanation'?"
"Some other old lady," suggested Mrs. Dearman.
"No. There was nobody else in those parts mistakable for Biddy Maloney,
and no other old woman was in or near the house while my father was
there. We sifted the matter carefully. It was Biddy Maloney and no one
else."
"Auto-suggestion. Visualization on the retina of an idea in the mind.
Optical illusion," hazarded Mrs. Dearman.
"No good. I hadn't realized I was approaching Biddy Maloney's cottage
until I saw her coming out of it and I certainly hadn't thought of Biddy
Maloney until my eye fell upon her. And it's a funny optical illusion
that deceives one into seeing an old lady opening gates, crossing
railways and limping away into fenced fields."
"H'm! What was the other case?" asked Mrs. Dearman, turning to Mr.
Ross-Ellison.
"That happened here in India at a station called Duri, away in the
Northern Presidency, where I was then--er--living for a time. On the day
after my arrival I went to call on Malet-Marsac to whom I had letters of
introduction--political business--and, as he was out, but certain to
return in a minute or two from Parade, I sat me down in a comfortable
chair in the verandah----"
"And went to sleep?" interrupted Mrs. Dearman.
'"I _nevah_ sleep,'" quoted Mr. Ross-Ellison, "and I had no time, if any
inclination. Scarcely indeed had I seated myself, and actually while I
was placing my _topi_ on an adjacent stool, a lady emerged from a
distant door at the end of the verandah and walked towards me. I can
tell you I was mighty surprised, for not only was Captain Malet-Marsac a
lone bachelor and a misogynist of blameless life, but the lady looked as
though she had stepped straight out of an Early Victorian
phonograph-album. She had on a crinoline sort of dress, a deep lace
collar, spring-sidey sort of boots, mittens, and a huge cameo brooch.
Also she had long ringlets. Her face is stamped on my memory and I
could pick her out from a hundred women similarly dressed, or her
picture from a hundred others...."
"What did you do?" asked Mrs. Dearman, whose neglected ice-pudding was
fast being submerged in a pink lake of its own creation.
"Do? Nothing. I grabbed my _topi_, stood up, bowed--and looked silly."
"And what did the lady do?"
Public-domain text, read in full here on John Shaqi.
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