"No, no! I'm not so bad as that! In fact I look about as I did when a
boy, only--more beautiful."
"Then you are a funny looking man, Drowsy, with your sleepy eyes and
your little buttoned-up mouth."
Cyrus laughed. "No, I swear I'm not funny looking. I have the same
eyes, but my mouth is three times as long. It's one of the largest and
most admired mouths in Massachusetts. But why these questions? You saw
me a few minutes ago when I came along. The glare of those headlights
ought to illuminate any kind of a face."
"You held your hand before your face to shade your eyes."
"So I did. But, seriously, Ruthy, I realize now that all my old feeling
for you has never died. Your voice alone revives the memories of those
pleasant years. Why part again? It might be forever."
"A thousand reasons."
"But no good ones. What better test of my affection could you want?
I don't ask to see your face. Your voice, your words, yourself, and
old-time memories are more than enough. Come. Say yes."
"No. Never in the world! Suppose, when you could really see me, there
came regrets. What a position for a woman! Oh, no! Never that!"
"Don't say 'never.'"
"Is this a habit of yours--making love in the dark to women you don't
know? You should have a guardian."
"Be that guardian!"
"Thank you, I have other occupations."
Here came a silence. The thoughts of Cyrus, whatever they might be,
were interrupted by Ruth:
"You must think me a most adaptable woman, Cyrus, to fall in love, at a
minute's notice, with a voice and a memory."
"If you are a toothless, hairless, wrinkled, one-eyed hag you ought to
be grateful."
"A toothless hag, even with no pride--may have a little caution."
"Anyway," said Cyrus, and he spoke more seriously--and with more
decision--"I am in earnest. I may be talking like a fool--I don't know
how to express myself. Meeting you again is like a new life. As a
little girl, Ruthy, you were everything to me. You don't know what a
difference, what a void it made when you vanished and left me adrift.
Now that we are again together, and I am older, I realize what I lost.
After you left Longfields--and your leaving was awfully sudden, if
you remember--not even a chance to say good-by--I used to sit on your
doorstep and try to think you would come out."
"Is that true?"
"On my honor. And one moonlight night when father and Joanna thought I
was in bed I stood at my window and tried to get a message to you, in
the old way--hoping a thought would reach you. Then I stole out of the
house, ran to yours and threw little stones against the closed shutters
of your empty chamber. Of course no answer came. But I waited and
waited. The moonlight seemed to encourage me. And when I had waited in
vain--a very long time,--it seemed a year--I pretended you came to the
window and we had a long talk."
She laughed. "And what did I say?"
Public-domain text, read in full here on John Shaqi.
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