He ran over the headings of his speech: Irish hospitality, sad
memories, the Three Graces, Paris, the quotation from Browning. He
repeated to himself a phrase he had written in his review: “One feels
that one is listening to a thought-tormented music.” Miss Ivors had
praised the review. Was she sincere? Had she really any life of her own
behind all her propagandism? There had never been any ill-feeling
between them until that night. It unnerved him to think that she would
be at the supper-table, looking up at him while he spoke with her
critical quizzing eyes. Perhaps she would not be sorry to see him fail
in his speech. An idea came into his mind and gave him courage. He
would say, alluding to Aunt Kate and Aunt Julia: “Ladies and Gentlemen,
the generation which is now on the wane among us may have had its
faults but for my part I think it had certain qualities of hospitality,
of humour, of humanity, which the new and very serious and
hypereducated generation that is growing up around us seems to me to
lack.” Very good: that was one for Miss Ivors. What did he care that
his aunts were only two ignorant old women?
A murmur in the room attracted his attention. Mr Browne was advancing
from the door, gallantly escorting Aunt Julia, who leaned upon his arm,
smiling and hanging her head. An irregular musketry of applause
escorted her also as far as the piano and then, as Mary Jane seated
herself on the stool, and Aunt Julia, no longer smiling, half turned so
as to pitch her voice fairly into the room, gradually ceased. Gabriel
recognised the prelude. It was that of an old song of Aunt
Julia’s—_Arrayed for the Bridal_. Her voice, strong and clear in tone,
attacked with great spirit the runs which embellish the air and though
she sang very rapidly she did not miss even the smallest of the grace
notes. To follow the voice, without looking at the singer’s face, was
to feel and share the excitement of swift and secure flight. Gabriel
applauded loudly with all the others at the close of the song and loud
applause was borne in from the invisible supper-table. It sounded so
genuine that a little colour struggled into Aunt Julia’s face as she
bent to replace in the music-stand the old leather-bound songbook that
had her initials on the cover. Freddy Malins, who had listened with his
head perched sideways to hear her better, was still applauding when
everyone else had ceased and talking animatedly to his mother who
nodded her head gravely and slowly in acquiescence. At last, when he
could clap no more, he stood up suddenly and hurried across the room to
Aunt Julia whose hand he seized and held in both his hands, shaking it
when words failed him or the catch in his voice proved too much for
him.
Public-domain text, read in full here on John Shaqi.
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