Due South; or, Cuba Past and PresentBallou, Maturin M. (Maturin Murray)
History
Due South; or, Cuba Past and Present
Ballou, Maturin M. (Maturin Murray)
Cuba
It was very amusing to sit here near the marble statue of the ex-queen
(which is, by the way, a wonderful likeness of Queen Victoria), where
the band, composed of sixty instrumental performers, discoursed
admirable music, and to observe young Cuba abroad, represented by boys
and girls of ten and twelve years dressed like young ladies and
gentlemen, sauntering arm in arm through the broad paths. These
children attend balls given by grown-up people, and are painted and
bedizened and decked out like their elders,--a singular fashion in
Cuban cities. It is true they not infrequently fall asleep on such
occasions in rocking-chairs and in odd corners, overcome by fatigue,
as the hours of festivity creep on towards the morning. Childhood is
ignored. Youth of a dozen years is introduced to the habits of people
thrice that age. We were sadly told, by one who is himself a parent,
that most children in the island but twelve years of age know the
delicate relations of the sexes as well as they would ever know them.
What else could be expected in an atmosphere so wretchedly immoral?
Small boys dressed in stovepipe hats and swallow-tail coats, and
little misses in long dresses with low necks look like mountebanks.
Opposite the Plaza de Isabella, on the Tacon Theatre side of the
square, are situated the most fashionable cafés and restaurants of the
capital, where "life" commences at nine o'clock in the evening and
rages fast and furious until the small hours of the morning. In these
resorts, which are one blaze of light, every gas-burner reflected by
dozens of mirrors, the marble tables are all occupied by vivacious
patrons. Some are playing dominoes, some few are engaged at games of
chess, others are busy over checkers or cards, and all are gambling.
Even the lookers-on at the games freely stake their money on the
fortunes of the several players. The whole scene is one of noise and
confusion, fifty tongues giving voice at the same time. If a Spaniard
or Creole loses a dollar he gesticulates and argues about it as though
thousands were involved in the issue. These people represent all
classes. Some are in their shirt-sleeves, some roughly clothed, some
in full evening dress; Spaniards, Creoles, mulattoes, and occasionally
an unmistakable European. They drink often, but not strong liquors,
and one is surprised to hear coffee so often called for in place of
wine. The games are kept up until two or three o'clock in the morning.
Loitering about the doors beggars always form the shadow of the scene;
some lame, some blind, mostly negroes and coolies; now and then there
is seen among them an intelligent but sad white face, which looks
rather than utters its appeal. These are often the recipients of the
successful gambler's bounty. Now and again a lottery-ticket vender
comes in and makes the circuit of the tables, always disposing of more
or less chances, sometimes selling a whole ticket, price one doubloon,
or seventeen dollars.
Public-domain text, read in full here on John Shaqi.
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