Charley Vanderhuyn said "The Dickens!" and though his meaning was
indefinite, he really meant it, whatever it might be. He looked up at
the ornamental figure carved on the rich headboard of his bed as if he
suspected that the headboard of English walnut had spoken in Irish. He
looked at the headboard intently a long time, partly because the Irish
voice had come from that direction, and partly because he was afraid to
look round toward the table. He _knew_, just as well before he looked
around as he did afterward, what he should see. He saw it before he
looked round by some other vision than that of his eyes, and that was
what made him shiver so. He knew that the persistent gray eyes were
upon him, that they would never move until he looked round. _He could
feel the look before he saw it._
At last he turned slowly. Sure enough, in that very chair by the table
sat the Presence, the Ghost--the--it was Henry Vail; or was it? There,
in the dim light, was the aquiline nose like an eagle's beak, there
were the steady, unwavering gray eyes, with that same earnest, wistful
look fastened on Vanderhuyn; the features were Vail's, but the face was
plowed and pitted fearfully as with the smallpox. All this Charley saw,
while seeing through the ghost and beyond--the carving on the rosewood
dressing case was quite as visible through the unsubstantial apparition
as before. Charley was not ordinarily superstitious, and he quickly
reasoned that his excited imagination had confounded the features of
Harry Vail's face with the pock-marked visage of the Huckleberry Street
Irish woman. So he shook himself, rubbed his eyes and looked again.
The apparition this time was much more distinct, and it lifted the
paper weight, as Henry had three weeks before. Charley was so sure that
it was Henry Vail himself that he began to get up to shake hands with
his friend, but the perfect transparency of the apparition checked him,
and he hid his face in his hands a moment, in a terror that he could no
longer conceal from himself.
"What do you want?" he said at last, lifting his eyes.
"I want you, Charley!" said the ghost.
Now I hardly know how to describe to you the manner in which the ghost
replied. It was not speech, nor any attempt at speech. You have seen a
mesmerist or biologist, or whatever-you-call-him-ist, communicate with
a man under his spell without speech. He looks at him, _wills_ that a
distinct impression shall be made on his victim, and the poor fellow
does or says as the master spirit wishes him. By some such subtle
influence the ghost, without the intervention of sound or the sense of
hearing, conveyed this reply to Charley. There was no doubt about the
reply. It was far more distinct than speech--an impression made
directly upon the consciousness.
Public-domain text, read in full here on John Shaqi.
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