His reading has been confined to his Trade Magazine, his home town
daily, and his competitors’ catalogues.
The people he has met socially are the same earspreaders he used to
know as boys and girls in the days when he was juggling up the mail in
the leather sack, size 24″ x 36″.
The men he has met in a business way, all have come down to the
bowlegged burg to sell him something, and so he has always had eager
listeners whenever he talked from the chest out; so he has been denied
the golden privilege of having men tell him to his cone-shaped face
just what they thought of him and his Ideas.
In other phraseology, Alfred William Clerkmind, executive, is Alfred
William Clerkmind, office boy, with different scenery. His arms and
legs are longer, his body thicker, his head fatter than when he licked
stamps, but his psychology and general outlook are the same.
He tells his New York Salesman that one can live for four dollars a
week at the best boarding house in Skunkton with Neapolitan ice cream
every Sunday, and therefore any man should be able to do the same in
New York—or do better, because there’s a bigger choice in Noo Yoark.
Every time it comes to changing copy in the ads, they have to throw
him and blindfold him to keep him from re-writing it himself and
running in a lot of snappy, pungent stuff of the come-one-come-all,
we-strive-to-please variety.
Alfred William doesn’t understand why a salesman should ride in a
Pullman any more than why the Trade shouldn’t wiggle up on its abdomen
and beg for the Goods.
And since he has not the time to travel, nor read, nor meet people who
do, he has no way of getting at the facts of business.
He feels that he must personally ooze into every part of the works at
all times. And, as a consequence, none of the department heads cares
to assume the responsibility of sealing an envelope without getting
Alfie’s “O. K.”
Sometimes Alfie tries to be a good fellow, and thereupon he slaps
somebody a wooden slap on the back. But there’s something in his
playfulness that makes the recip. feel like turning around and
spreading his resentment all over Alfie’s respectable features.
When anybody is relating a humorsome narrative, Alfie sets a certain
time and place to laugh regardless of the development of the story, and
then there’s no telling how long the rafters are going to hold out.
Then just as suddenly he gets back into his coffin and pulls down the
lid.
At such times Alfie’s voice has about as much merriment in it as a sack
of dried apples, but whenever he decides to burst forth, all the little
office gnats have got to laugh too, for fear they will lose their
Fifty Dollar jobs if they don’t.
Public-domain text, read in full here on John Shaqi.
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