He rallied himself, for such drifting into the subjective was a new
and puzzling experience for a practical man. But minute by minute the
spirit of the desert, which is the spirit of chaos become ponderable,
stole over him, chaining his imagination to things felt but not
seen of men. A chill of the untoward and the unreal swept over him.
He seemed to be braced nervously for some blow out of the void. His
imagination played with a dim figure, the shape of El Rojo of the
red hair riding--riding through the dark on his eternal mission of
damnation.
The clock struck three and at the instant of the third stroke a shadow
like a bat’s wing flitted across the bars of the window through which
the eyes of the wakeful man had been roaming. A sharp tinkle of steel
on stone split the silence of the chamber. Grant was galvanized into a
leap from the bed. He stood shaking. Silence. Silence absolute as the
grave after that single sharp ring of steel on stone.
He looked up at the window where the flitting passage of the bat’s
wing had showed. Just the clear-burning stars there. The dim recesses
of the room revealed no bulk of an intruder. Was this but the trick of
overwrought nerves?
Grant fumbled for his matches and brought a light to the candle wick.
By the waxing yellow glow he peered round the chamber. A flicker of
white reflection caught his eye and he almost leaped to a spot on the
floor directly beneath the window.
A dagger lay there. It was that curiously wrought affair of dulled
silver haft and double-edged blade which he had noted before as part of
the rosette of ancient knives and short swords clamped against the high
wainscoting above the window for a wall decoration--the weapons Don
Padraic had pointed to with the pride of a collector that first day the
wounded guest was brought in from the desert.
But how could this dagger have slipped from its sheath with no hand to
disturb it? Grant stooped to pick it up.
He had the haft in his grip for a quarter-second, then dropped the
thing and leaped back as if from an asp. Something gummed the palm of
his hand. Something showed dull black against the dim flicker of the
blade. With a gasp he knelt and brought the candle closer.
Blood there on the blade! Blood on his hand!
He stood frozen while the pumping of his heart volleyed thunder against
his ear drums. Murder cried aloud from that stained thing of silver and
steel on the floor. Somewhere in this rambling old pile--somewhere in
the silence a swift stroke that had snuffed out a life, and then the
murderer, fleeing, had flung this weapon through the window. He had
flung it almost at the feet of the only one in the whole house who was
not sleeping.
Public-domain text, read in full here on John Shaqi.
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