The most important room of the home of a burgher of moderate means was
the hall, or general living-room. This, as so many pictures show, had a
great fireplace, at which meals were often cooked. The furniture
consisted of tables, chairs, cabinets, and, very frequently, a bed. The
chimney-piece is massive, high and often elaborately carved, and above
it a landscape, fruit piece, Kermesse, flower-piece or battle-scene by a
favourite painter, is hung to form part of the decoration. This
chimney-piece is, moreover, filled with porcelain dishes, cups, plates,
teapots and curios. Below it hangs an ornamental chimney cloth
embroidered with gaily-coloured flowers, red or green silk, white
muslin, or figured calico. The hearth is framed in blue and white tiles,
furnished with an iron fireback and supplied with brass and irons, racks
for the fire-irons, pot-hooks, spits, a crane on which a large brass
kettle hangs, and small hooks from which the bellows, hearth brooms,
shovel, tongs, etc., hang conveniently for use. A brass or copper
warming-pan is not far away. The walls are adorned with pictures, a
large looking-glass in an ebony frame, a wall-board with hooks for small
cans and jugs and a plate rack or two in which some handsome plates and
dishes are formally arranged. A great linen press, or _kas_, filled with
tablecloths and napkins, the head of which is decorated with large
Japanese beakers and smaller cups and vases, stands on one side of the
room, and a glass case filled with teapots, cups and saucers, dishes,
etc., and an East India cabinet on the other. A gaudily-painted
Hindeloopen clock ticks on the wall. A large table stands in the centre
of the room, covered with a heavy Turkish rug or “carpet,” and several
little tables are conveniently disposed. The Russia leather, Turkey work
and matted chairs are symmetrically arranged around the walls beneath
the many pictures of landscape, interiors or still-life. The windows are
curtained, the hangings of red or green striped silk or flowered calico
matching those of the bedstead, which can be completely closed like a
large box. On the four corners of the cornice of this bed are bunches of
feathers or a painted wooden ornament. The casement windows have tiny
diamond-shaped or round panes set in lead, and on the outside creepers
and roses are carefully trained, forming a beautiful framework. Upon the
sills stand flower-pots in which a bright tulip or other favourite
flower is blooming.
The first apartment entered from the front door of a merchant’s house
was the “_voorhuis_,” or front room, where visitors were formally
received. This was more or less handsomely furnished in accordance with
the means of the owner. It was usually a sort of hall, sometimes of
considerable dimensions.
Public-domain text, read in full here on John Shaqi.
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