Nowadays these national songs are rarely heard. French, Italian, and
German songs have taken their place, and it is but seldom one hears a real
Dutch song at any social gathering. The 'people,' too, seem to have
forgotten their natural gift of poetry, for the only songs now heard about
the streets are badly translated French or English ditties. If England
brings out a comic song of questionable art, six months later that song
will have made its way to Holland, and will have taken a popular place in
a Dutch street musician's _répertoire;_ it will be whistled in many
different keys by butcher and baker boys, and will be heard issuing
painfully from the wonderful mechanism of the superfluous concertina. For
almost every one in Holland possesses some musical instrument on which he
plays, well or otherwise, when his daily work is over, or on Sunday
evenings at home. And here a notable characteristic of the Dutch higher
classes must be mentioned by way of contrast. Musical though they are,
trained as they generally are both to play and sing well, they yet seldom
exercise their gifts in a friendly, social, after-dinner way in their own
homes. They become, in fact, so critical or so self-conscious that they
prefer to pay to hear music rendered by recognized artists, and so a by no
means inconsiderable element of geniality is lost to the social and
domestic circle.
The decay of folk-song is the more regrettable, since Holland is rich in
old ballads, some of which, handed down just as the people used to sing
them centuries ago, are quaint, _naïve,_ and exceedingly pretty. The
melodies have all been put to modern harmonies by able composers, and
published for the use of the public.
'Het daghet in het oosten,
Het lichtis overal,'
is a little jewel of poetic feeling, and the melody is very sweet. The
story, like most of the songs of the past troublous centuries, tells of
a battlefield where a young girl goes to seek her lover, but finds him
dead. So, after burying him with her own white hands, with his sword
and his banner by his side, she vows entrance into a convent. The story
is a picture in miniature of the times, and as a piece of literature it
ranks high.
Public-domain text, read in full here on John Shaqi.
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