Dwellers in Arcady: The Story of an Abandoned FarmPaine, Albert Bigelow
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Dwellers in Arcady: The Story of an Abandoned Farm
Paine, Albert Bigelow
Abandoned farms -- Fiction; Farm life -- Fiction
There is work about making apple-butter. It is not just a simple matter
of putting on some juice and letting it boil. Apples must go into it,
too, a great many of them, and those apples must be peeled and sliced,
and stirred and stirred eternally. And then you will find that you need
more apples, more peeling and slicing, and more stirring and stirring,
oh yes, indeed. Elizabeth stirred, I stirred, and Lazarus, our small
colored vassal, stirred. I said if I had time I would invent an
apple-butter machine, and Elizabeth declared she would never undertake
such a job again, never in the world! But that was mere momentary
rebellion. When it was all spiced and done and some of it spread on
slices of fresh bread and butter, discontent and weariness passed, and
next day she and Lazarus were making pickles and catsup and apple jelly,
while Old Pop and I were hauling all the flat stones we could find and
paving the wide space between the house and the stone curb which already
we had built around the well. Oh, there is plenty to do when one has
bought an old farm and wants to have all the good things, and the
livable things; and October is the time to do them, when the mornings
are brisk, and the days are balmy, and evening brings solace by the open
fire.
III
_Lazarus's downfall was a matter of pigs_
It was Lazarus, I think, who most enjoyed the open fire. Stretched full
length on the hearth, flat on his stomach, his chin in his hands,
baking himself, he might have been one of his own ancestors of the
African forest, for he was desperately black, and true to type. A runty
little spindle-legged darky of thirteen, Lazarus had come to us
second-hand, so to speak, from the county home. A family in the
neighborhood was breaking up, and Lazarus's temporary adoption in the
household was at an end. He had come on an errand one evening, and our
interview then had led to his being transferred to our account.
"I goin' away nex' week," he said.
"Where are you going, Lazarus?"
"Back to de home, where I come from."
"What do you get for your work where you are now?"
"Boa'd and clo's an' whatever dey min' to give."
"What do you do?"
"Bring wood, wash dishes, and whatever dey wants me to."
"How would you like to come up here for a while?"
He had his eye on my target-rifle as he replied, "Yassah, I'd like
it--what sort o' gun yo' got?"
I explained my firearm to him and let him handle it. His willingness to
come grew.
"Are you a pretty good boy, Lazarus?"
"Oh, yassah--is--is yo' goin' to le' me shoot yo' gun ef I come?"
"Very likely, but never mind that now. What happens if you're not good?"
He eyed me rather furtively. "De rule is yo cain't whip," he said. "You
kin only send back to de home."
We agreed on these terms, and Lazarus arrived the day after the auction
that closed out his former employers. As an aside I may mention that Old
Pop laid off a day to attend the said auction, and bought a pink
chenille portière and a Japanese screen.
Public-domain text, read in full here on John Shaqi.
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