Dyke Darrel the Railroad Detective; Or, The Crime of the Midnight ExpressPinkerton, A. Frank
General
Dyke Darrel the Railroad Detective; Or, The Crime of the Midnight Express
Pinkerton, A. Frank
Crime -- Fiction; Detective and mystery stories; Railroad stories
Miriam stood rather sadly beside the bulwarks, gazing at the land in
which she had been born, and which she was now leaving forever.
A low sigh broke from her lips.
"Why do you sigh? Are you sorry to quit your native land?" a voice
whispered in her ear.
"Yes; though for my grandfather's sake I cannot deeply regret it,"
Miriam answered, gazing at Diniz with tear-dimmed eyes.
"I have not thanked you yet for having released me from that dreadful
place, or even a worse doom. I am still scarcely able to realize my
good fortune. What made you, a stranger, think of one whom all others
had forgotten?"
"Not all. It was Donna Lianor who told me where you were, and asked me
to help you," Miriam said, blushing beneath his tender, grateful gaze.
"Besides, I looked upon you as a friend," almost inaudibly.
"That is what I want to be--your friend. And Lianor--how is she?--
well?"
"As well as it is possible to be under the heavy trial she went
through this morning. She was married to Manuel Tonza," sadly.
"Poor girl! Poor Lianor! Hers is indeed an unhappy lot!" Diniz
murmured pityingly.
CHAPTER V.
In a large, handsome room, overlooking a shining river, now ablaze
with sunshine, sat a beautiful woman, wearing on her face unmistakable
signs of sadness.
She scarcely heeded the opening door, until two pretty children came
bounding to her side, clambering onto her chair and lap.
Then her face changed, and a sweet, tender smile chased away all
gloom; the idle hands were busy now stroking the curly heads pressed
so close against her.
"I would have brought them to you before, but their father wished to
keep them; he is always so happy when they are near," a little,
dark-eyed woman, clad in picturesque robes of brilliant crimson and gold,
said rapidly, as she threw herself down on a pile of soft cushions
opposite the sweet, pale mother.
Lianor sighed, but she could not look sad long with those loved
children clasped in her arms.
"I cannot understand Manuel," she said, with a puzzled expression in
her eyes; "he is so strange, sometimes gay--almost too gay; then he
relapses into a gloomy, brooding apathy, from which even the children
have no power to rouse him."
"But you have. He is never too morose to have a smile for you. I
think, sometimes, he feels lonely. You are bound to him, yet your
heart is as unresponsive to his passionate love as if you were
strangers," Savitre said, thoughtfully.
"Do you think so, Savitre? I am indeed sorry; but you know how
impossible it is to forget my first love. I like Manuel, but beyond
that, affection--except for my darlings--is dead; buried in Luiz's
grave."
"Hush! here comes Manuel," Savitre whispered, warningly.
It was indeed Manuel, older and graver-looking than of yore, with a
deep melancholy in his eyes, brought there only by intense suffering.
Savitre, on his entrance, softly glided from the room, leaving husband
and wife alone.
Public-domain text, read in full here on John Shaqi.
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