Dynevor Terrace; Or, The Clue of Life — Volume 2Yonge, Charlotte M. (Charlotte Mary)
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Dynevor Terrace; Or, The Clue of Life — Volume 2
Yonge, Charlotte M. (Charlotte Mary)
Cousins -- Fiction; Domestic fiction; English fiction -- 19th century; Upper class -- England -- Fiction
Clara's first outlay, on her restoration to comparative wealth, was on
Charlotte's wedding-dress. It was a commission given to Mary, when
with Fitzjocelyn, she went to London for one day, to put the final
stroke to the dissolution of the unfortunate firm, and to rejoice Aunt
Melicent with the sight of her happiness.
Good old Miss Ponsonby's heart was some degrees softer and less narrow
than formerly. She had a good many prejudices left, but she did not
venture on such sweeping censures as in old times, and she would have
welcomed Lord Ormersfield with real cordiality, for the sake of his
love to her Mary. Indeed, Louis's fascinations and Mary's bright face
had almost persuaded her into coming home with them; but the confirmed
Londoner prevailed, and she had a tyrant maid-servant, who would not
let her go, even to the festival at Ormersfield in honour of her niece.
The Earl was bent on rejoicings for his son's marriage, and Louis
dexterously managed that the banquet should take place on the day fixed
for Tom's wedding, thus casting off all oppressive sense of display, by
regarding it as Madison's feast instead of his own. Clara, who seemed
to have been set free from governess tasks solely to be the willing
slave of all the world, worked as hard as Mary and Louis at all the
joyous arrangements; nor was the festival itself, like many such
events, less bright than the previous toils.
The wedding took place in Ormersfield Church, on a bright September
morning; James Frost performed the marriage, Lord Fitzjocelyn gave the
bride away, and little Kitty was the bridesmaid. The ring was of
Peruvian gold, and the brooch that clasped the bride's lace collar was
of silver from the San Benito mine. In her white bonnet and
dove-coloured silk, she looked as simple and ladylike as she was
pretty, and a very graceful contrast to her Spanish gentleman
bridegroom.
Public-domain text, read in full here on John Shaqi.
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