E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That His Book Needs No TitleMeans, E. K. (Eldred Kurtz)
General
E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That His Book Needs No Title
Means, E. K. (Eldred Kurtz)
African Americans -- Fiction; Short stories, American
Doodlebug was a Tuckapoo mustang. To those acquainted with the breed,
enough said. It means that Doodlebug was a mean, tricky, biting,
kicking, balky Indian pony. He came up the track sideways, backwards,
on his hind feet, on his fore feet. Twice he lay down and rolled over,
and once he balked, spending two minutes in a vain effort to bite off
his jockey’s leg.
“Dat hoss ain’t got but one good p’int, Hitchie,” Pap declared. “He kin
run like a bullet shot outen a gun!”
A few minutes later five horses swept down the track in an even line.
“Go!” yelled Vinegar Atts, up in the judges’ stand.
In the momentary silence following the get-away, there was a scream
so loud and ear-splitting that it thrilled every person on the
fair-grounds. Then everybody on the grandstand stood up and an
astonished exclamation leaped from every lip:
“Look at Nigger Blackie!” “My Lawd, how dat hoss do run!”
Little Bit had a fence picket for a whip. But instead of using it in
the ordinary way, he was violating all the customs of race-riding. He
sat perfectly straight, his bridle-reins were untouched, lying upon the
horse’s neck and flapping loosely around his face, while he waved his
fence picket around his head like a club. Nigger Blackie was running
like a streak.
As Little Bit passed the half-mile post, once more that thrilling,
ear-splitting shriek swept across the intervening space to the people
who stood breathless in the grandstand.
“Whut kind of noise is dat Little Bit is makin’ wid his mouf?” Pap
Curtain inquired uneasily as he watched Doodlebug a full length behind
Nigger Blackie, running his best and unable to gain an inch.
“Dat’s a Indian war-whoop, Pap,” Hitch Diamond said in a voice which
choked in his throat. “When I wus jes’ a little shaver, I used to hear
de Caddo Indians yelp dat way when dey wus hoss-racin’.”
“My Gawd!” Pap exclaimed, as the horses turned into the home-stretch.
“Whut’s done happened to Doodlebug?”
Doodlebug was doing his best, but he was two lengths behind, while
Little Bit was riding Nigger Blackie like an Indian, whooping like a
calliope, and Nigger Blackie, with the loose bridle-reins flapping
around his face, was coming in like a rocket.
Somebody pulled at Pap’s shoulder, and a soft voice spoke pleadingly in
his ear. He struck behind him savagely with his clenched fist, and then
leaned far over the fence.
Suddenly the grandstand broke out into a prayer, a wailing cry which
urged, pleaded, implored!
“_Come_ on, Doodlebug! _Come on, Doodlebug!_ Come _on_, Doodlebug!”
“COME on, _Doodlebug_!” Pap shrieked, with tears in his eyes, and agony
in his voice, and tragedy in his heart. “Oh, fer _Gawd_lemighty’s sake,
come on!”
Again some one pulled at Pap’s arm, and a pleading voice spoke to him.
Again Pap savagely shook himself loose, struck out blindly and insanely
at the person behind him.
Then a mighty moaning sound broke from the grandstand, the lamentation
of a crushed, disappointed, bankrupted multitude.
Public-domain text, read in full here on John Shaqi.
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