E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That His Book Needs No TitleMeans, E. K. (Eldred Kurtz)
General
E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That His Book Needs No Title
Means, E. K. (Eldred Kurtz)
African Americans -- Fiction; Short stories, American
Half-way down the block he met a tall negro whose face was slightly
disfigured by a broken nose. The man wore a checkerboard suit of
clothes, a cowboy hat, and a sport shirt. Hitch’s eyes fell first upon
the emblem of a negro lodge which the man wore on the lapel of his coat.
Hitch eagerly laid hold upon his lodge brother, “I’s in powerful bad
trouble, brudder,” he moaned. “I ain’t know nobody in dis town an’ I
done loss all my money on my way to dis place. Whut kin be did?”
“De next best thing is to go down to de big mill an’ set on de
buzz-saw,” the brother advised.
“Whut good will dat do me?” Hitch inquired.
“It’ll fix you so trouble won’t trouble you no more,” Checkerboard
grinned, patting Hitch on his powerful back. “Atter you takes yo’ seat
you won’t need no money--de Nights of Darkness lodge will bury yo’
remainders free fer nothin’ an’ sot you up a real nice tombstone.”
“I got plenty white folks in my own home town,” Hitch continued, paying
no attention to his companion’s foolishness. “I mought could git some
he’p mebbe ef I had somewhar to wait at ontil dey sont me de money.”
The checkerboard negro looked Hitch over; then his eyes narrowed and he
smiled.
“As a lodge brudder in good standin’, I could lead you to my own house
an’ keep you a little while,” Checkerboard remarked. “Whar is yo’ lodge
pin?”
Hitch glanced down at the lapel of his coat.
“My gosh!” he mourned. “I done loss my money an’ my lodge breastpin
too. Dat breastpin wus jes’ perzackly like de one you is got on an’ wus
gib me by Skeeter Butts.”
“Suttinly,” Checkerboard laughed. “Dey is all made alike an’ look jes’
de same. Mebbe de feller whut touched yo’ wad frisked yo’ pin, too.”
“Dat’s whut happened,” Hitch sighed. “But it don’t he’p me none to know
dat news.”
“You’se too blame young to be trabbelin’ alone,” Checkerboard
snickered. “You needs a fust-rate gardeen. Foller atter me!”
He conducted Hitch to the rear of the big sawmill, led him through a
maze of immense lumber piles, and brought him around the big mill-pond
to a cluster of houses built by the owners of the mill for the
occupancy of their negro employees.
There was one two-story house which looked like a barracks, and was
intended for use by men who had no families. Into this Checkerboard led
his companion.
“Set down, Revun,” he smiled. “Dis here is my boardin’-house. I keeps
it fer de ’commodation of de nigger workers in de mill whut ain’t got
no wifes an’ no home. Dey eats in dat eatin’-house down dar by de
mill-pond an’ sleeps here.”
“It’s powerful hot in dis place,” Hitch complained as he seated himself.
“We keeps de winders down in de daytime because eve’ybody whut stays
here is busy in de mill,” Checkerboard explained, as he pulled off his
coat and hung it across his arm. “Pull off dat coat of yourn, an’ I’ll
take yo’ stove-pipe hat an’ coat an’ hang ’em up wid mine.”
Hitch gratefully removed his hat and coat and sat down. He took a
stogie from his vest-pocket and felt for a match.
Public-domain text, read in full here on John Shaqi.
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