E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That His Book Needs No TitleMeans, E. K. (Eldred Kurtz)
General
E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That His Book Needs No Title
Means, E. K. (Eldred Kurtz)
African Americans -- Fiction; Short stories, American
Vinegar Atts shuddered and rose to his feet.
“I ain’t waste no time talkin’ ’bout dead niggers,” he said uneasily.
“I done seed de ghost of dat Dude Blackum ’bout fo’teen times.”
“You ain’t by yo’se’f in dat, Revun,” Pap sighed. “Eve’y time I thinks
of dat nigger I gits de jiggety-jams.”
“I knowed Dude Blackum a little bit--I seed him on de train once,”
Vinegar said. “But ’pears like his ha’nt ain’t gwine let me alone
a-tall!”
Dainty and Ginny Babe walked up the steps and entered the Shoofly
Church, followed by the curious eyes of all the men in the yard.
“Dar now!” Vinegar mourned. “’Tain’t no use to try to hab preachin’
dis mawnin’--dat hoodoo gal is done got dis meetin’-house in a mess. I
feels like somebody is done criss-crossed my head wid a rabbit-foot.”
He knocked the tobacco from his pipe and thrust it into his pocket, his
eyes set upon the door through which the girl had passed.
“When did Dainty Blackum come to Tickfall?” Vinegar asked.
“Yistiddy. Ginny Babe Chew met her at de deppo. Some yuther
niggers come up from Sawtown, too. You know how niggers is--dar’s a
scatteration when somepin like dat happens.”
“Yes, suh. De guilty niggers scatterates as fur as dey kin git an’ as
quick as dey kin go,” Vinegar agreed. “De not guilty niggers hikes out
of de place to de near-by towns an’ waits till de clouds rolls by.”
“I’s jes’ whisperin’ to you ’bout dat Dainty Blackum, Vinegar,” Pap
said suddenly. “I ain’t gwine ’round braggin’ no brags ’bout knowin’
dis Blackum gal. White folks gits awful rambunctious when a nigger
kills a white man like Dude done.”
“I ain’t sayin’ nothin’,” Vinegar murmured. “I done j’ined de lodge of
silunce.”
The two men separated, Vinegar enterin’ the large, cool, dilapidated
church. The band of men standing in the yard followed, as a drove of
mules follow a gray mare upon the dusty highroad. The buzzard-like men
climbed from their perches on the fence, dusted the seats of their
trousers by quick, sliding motions of each hand, and entered the
building. In the intense silence their heavily shod feet made ugly
noises upon the uncarpeted floor.
Vinegar sensed tragedy everywhere. He looked around him uneasily,
spotting certain unfamiliar faces in the congregation.
Ginny Babe Chew sat on the front seat with Dainty Blackum, the two
occupying the middle row of pews. On Vinegar’s right, on the front
seat, sat a man who had a knife-scar in his neck, a bullet-scar on his
cheek, and the top of his left ear was missing. On Vinegar’s left was a
tall, ladder-headed negro, dressed like a preacher, sitting on a front
bench.
There was no organ or other musical instrument in the church. Vinegar
Atts, who had a voice like a pipe-organ, always raised his own tunes
and depended upon Skeeter Butts, Figger Bush, and Hitch Diamond to
carry the music in the congregation.
Public-domain text, read in full here on John Shaqi.
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