E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That His Book Needs No TitleMeans, E. K. (Eldred Kurtz)
General
E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That His Book Needs No Title
Means, E. K. (Eldred Kurtz)
African Americans -- Fiction; Short stories, American
“Certainly. Any of his colored friends may see him if they come at a
reasonable time. I’ll admit you to the jail.”
When Skeeter was admitted and locked behind the bars of the jail, and
saw Hitch Diamond pacing up and down the corridor in the second story,
the only occupant of the prison, he found to his annoyance that he
could not begin a word of conversation with his lifelong friend. When
talking to others, he could speak about Hitch and his misfortune with
great volubility, but face to face with Hitch, what was there to say?
The two sat down, Skeeter laid a package of cigarettes upon the seat
of a chair beside them, and after that for twenty minutes there was
perfect silence. Not a word had been spoken except their first brief
and embarrassed greetings. Each sat, smoking furiously, and lighting a
fresh cigarette upon the stub of the old one.
At last Skeeter managed to speak, and made the one request which opened
the floodgates of Hitch Diamond’s talk:
“Tell me all about it, Hitchy. Don’t leave out no little thing.”
Hitch dropped his cigarette at his feet and began.
For two hours his low voice rumbled on, the narrative beginning from
the moment he left Tickfall to go to New Orleans to the prize-fight and
progressing with minute particularity to the moment when he sat in the
jail beside Skeeter Butts.
Skeeter listened with a heart as heavy as lead. It seemed to him that
Hitch had confessed everything except the actual commission of the
crime of murder and robbery. The array of proof which Flournoy had was
sustained and established in every particular by Hitch’s story. Vinegar
had fired his hopes for a moment by betraying the secret that the
white folks were unconvinced of Hitch’s guilt and were hunting for the
perpetrator of the deed. But Skeeter knew when Hitch had finished his
story that Hitch would pay the penalty for his crime.
Not a word did Skeeter utter until the narrative was ended. Then he
arose and held out his hand.
“Good-by, Hitch,” he said, with a catch in his voice. He walked down
the steps, and the jailer opened the door and let him out.
Passing across the courthouse yard he met Sheriff Flournoy.
“Marse John,” he said, “you tole me dat Hitch wus borned on yo’
plantation. Does you know who his maw is?”
“Certainly.”
“Is his maw livin’ yit?”
“Yes.”
“I ain’t never heerd Hitch say nothin’ ’bout his maw,” Skeeter remarked.
“Hitch don’t know who his mother is,” Flournoy smiled. “I doubt if she
knows that Hitch is her son.”
“How come?” Skeeter asked.
“Hitch’s mother committed a little crime the year before I was elected
sheriff. Hitch was then one year old. His mother abandoned him--ran off
and stayed away for thirty years. Hitch was taken care of by the other
negroes on the plantation, and all who once knew who Hitch’s mother is
are now either dead or have gone away from here.”
“Fer Gawd’s sake, Marse John!” Skeeter wailed. “Why don’t you tell
Hitch who his maw am? Who is she?”
Public-domain text, read in full here on John Shaqi.
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