E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That His Book Needs No TitleMeans, E. K. (Eldred Kurtz)
General
E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That His Book Needs No Title
Means, E. K. (Eldred Kurtz)
African Americans -- Fiction; Short stories, American
Vinegar Atts and Tucky Sugg started a protracted meeting in the old
Shoofly Church which was attended by throngs who listened with bated
breath to Vinegar’s bawling exhortations to righteousness based
upon the horrible example of Hitch Diamond, who found himself in a
predicament where there was “no hope.”
Meanwhile Skeeter went to New Orleans, and to Sawtown. He tracked Hitch
Diamond from the moment he left Tickfall to go to the prize-fight
until he returned to Tickfall, bareheaded, barefooted, with his hands
manacled behind him, and under the escort of the officers of the law.
In both places he dodged Sheriff John Flournoy, who was also conducting
an investigation. Both were on the same mission, and Skeeter saw
Flournoy a dozen times at different places.
Skeeter and Flournoy returned to Tickfall, crushed and hopeless,
appalled at the array of evidence which Hitch Diamond had to confront
at his coming trial. It was not a pretense, but a fact, that Hitch
Diamond had no hope.
It was almost dark when Skeeter climbed wearily off the train at
Tickfall and started up the street toward Dirty-Six. He overtook
Sheriff John Flournoy walking slowly up the street.
“Whut is Hitch’s chances now, Marse John?” he asked.
“He has none,” Flournoy replied. “There is no longer a shadow of doubt
in my mind that Hitch Diamond committed the crime with which he is
charged.”
“Yes, suh, dat’s de way it looks,” Skeeter agreed sadly. He dropped
behind, stopped, and let the sheriff go on alone. He stood leaning
against a fence for a while, wondering what to do next. Finally he said
to himself:
“I’s gwine to Ginny Babe Chew’s cabin an’ narrate her all I is found
out. Mebbe dat ole hoodoo face kin see mo’ hope dan I kin.”
He passed the Hen-Scratch saloon and peeped into the window, where he
saw Pap and Dinner Gaze playing cards at a small table. He passed the
Shoofly Church, where he heard the voice of Vinegar Atts bellowing like
a lost cow. On the edge of the settlement he entered the yard of Ginny
Babe Chew’s home, and found Dainty sitting alone upon the porch.
Ginny Babe was in the hen-house rendering profane ministrations to the
same old hen which was still of a mind to brood, whether there was
anything to hatch or not.
That hen had entertained Ginny Babe for a week. She had exhausted every
known method to break up the fowl’s desire to “set,” dousing it in
water, ducking it in ashes, tying a long red trailer of wool to its
feet, and other things of that general nature. Now she stood growling
profanity, wondering what else she could do to the obstinate old biddy.
Suddenly she thought of the suggestion made by Skeeter Butts: “Pour
coal-ile on her tail an’ sot her on fire!”
She picked up an old rag lying in the yard, wrapped it around the
squawking hen’s tail, carried the fowl to the back porch, where she
found an oil-can, and saturated the rag well with the petroleum.
Then she struck a match and set the rag afire.
Public-domain text, read in full here on John Shaqi.
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