E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That His Book Needs No TitleMeans, E. K. (Eldred Kurtz)
General
E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That His Book Needs No Title
Means, E. K. (Eldred Kurtz)
African Americans -- Fiction; Short stories, American
“I gibs a show,” Deo Diddle explained. “I lets people handcuff me an’ I
slips ’em off as easy as you kin take off a glove. I lets people nail
me up in a box an’ I gits out as easy as you kin git outen dat chair.
I lets people tie me in bed wid ropes an’ I gits loose as easy as a
pickaninny kin fall outen a hammock. An’ on de side, I tells forchines,
reads minds, finds lost treasures, an’ gives a few sleight-of-han’
tricks.”
“Huh!” Skeeter and Figger grunted in a duet.
“Yes, suh,” Deo Diddle went on. “I done hired dat hall down in de
settlemint called Dirty-Six, an’ I’s gibin’ a show eve’y night fer
three nights. Would you wish to come?”
“I shore would!” Skeeter exclaimed eagerly.
“I’s glad to hear you say dat, suh,” Deo replied. “I’s gwine gib a free
pass to you an’ Mr. Bush, an’ I hopes you will speak up my show fer me.
Admission ten cents fer chillun an’ two-bits fer growed-ups!”
He handed Skeeter and Figger a slip of paper apiece, and rose and
walked out of the saloon, leaving the two men to gaze after him in
speechless astonishment. After a long time, Figger remarked:
“You done got yo’ wuck cut out fer you, Skeeter. You know how batty
female womans is about show folks!”
* * * * *
A show given by negroes will attract other negroes as a barrel of
molasses attracts flies. The little hall in Dirty-Six was filled to its
capacity a long time before the hour of the exhibition.
Skeeter Butts and Figger Bush occupied the front seat directly facing
the center of the stage.
“Whar is Tella Tandy, Figger?” Skeeter asked uneasily, scanning the
faces in the crowd. “I went to her house atter her an’ dey tole me
she’d done went. But I don’t see her.”
“She’ll git here on time,” Figger assured him. “She ain’t hatin’ dis
Deo Diddle none, an’ she’ll watch him pufform.”
Then the ragged curtain parted in the middle, one half being pulled to
each side of the stage.
“Ladies an’ gen’lemans,” Deo Diddle began, “I’s gwine gib a refined
exhibition of sleight-of-hands fust of all, an’ I defy anybody to kotch
me at my tricks.”
The stunts which followed were too simple and commonplace to mention,
but they were wonderful because new to the Tickfall negroes. In a
little while the whole house was vocal with the comments of the
spectators, who made remarks in a loud voice, and sometimes got into an
argument with some friend across the room.
“My Lawd,” Hitch Diamond bellowed, when he saw the performer break an
egg in a pan, scramble it, light an alcohol lamp and cook it, then lift
out of the pan a live goose. “My Lawd, dat pufformance is agin nature!”
“’Tain’t so!” the Reverend Vinegar Atts bawled from the other side of
the house. “De Good Book says us shall see wonders in de heaven above
an’ de yearth beneath----”
“Aw, go up dar wid de buzzards!” Hitch Diamond retorted in a disgusted
tone. “Not even de good Lawd could make a nigger hatch a goose outen a
scrambled hen’s egg!”
Public-domain text, read in full here on John Shaqi.
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