E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That His Book Needs No TitleMeans, E. K. (Eldred Kurtz)
General
E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That His Book Needs No Title
Means, E. K. (Eldred Kurtz)
African Americans -- Fiction; Short stories, American
“Me, too!” came a chorus of voices, and Vinegar Atts, Prince Total, Pap
Curtain, Hitch Diamond, and a number of others who had been accused of
various crimes and misdemeanors by Tella Tandy followed Skeeter to the
stage.
They carefully examined the cot and rope. Then Deo Diddle stretched
himself out upon it, lying flat upon the mattress with his feet
together and his hands down at his sides. Vinegar Atts and Hitch
Diamond passed the rope around and around him, crossing and
crisscrossing it over his feet and body and neck until he was swathed
like a mummy and apparently as helpless.
Then the committee climbed off the platform and left Deo to free
himself in full view of the crowd.
Deo entertained the crowd for a minute by a mighty struggling and
tugging and jerking and grunting, but all the while Deo’s right hand
was resting upon a lateral bar under the cot which held the mattress
taut. At the proper time Deo simply slipped this bar out of its
fastening on one side of the cot; the mattress sagged down in the
middle like a hammock, with the many coils of rope across Deo, but
hardly touching his body.
Then Deo climbed from under the rope as easily as a pig slips through
a gap in the fence and was free!
The shout of applause which greeted this performance almost lifted the
roof, and amid the noise Deo and Tella quickly removed the cot so that
the committee could not examine it again.
“Us will hab a entirely diffunt show tomorrer night, my frien’s,” Deo
announced when the noise and excitement subsided. “I is knowed all
over de worl’ an’ in Yurope as de Monarch of de Manacle. I’s de only
real nigger Handcuff King in dis country. Tomorrer night I’s gwine
hab eve’y kind of handcuff whut is used by de sheriffs an’ policemens
of dis country an’ furin parts, and I’ll let you handcuff me up any
way you please, an’ ef I don’t git loose in five minutes I’ll gib you
twenty-five dollars reward. Fetch all de handcuffs you is got aroun’ de
house an’ watch de Handcuff King pufform!”
“I’ll git dat reward-bill!” Skeeter Butts squealed.
“All right, pardner!” Deo laughed. “Do yo’ durndest! Good-night!”
While the people were leaving Skeeter Butts climbed back upon the stage
and confronted Tella Tandy.
“Is you married to dis Deo Diddle, Tella?” he asked earnestly.
“Suttinly,” Tella laughed. “Ain’t Deo a wonder?”
“Whut you mean by makin’ a fool outen me?” Skeeter demanded.
“Don’t pick no fuss wid me, Skeeter!” Tella said. “Dis is a free
country an’ you made love at me wid yo’ own mind. I couldn’t he’p it ef
you handed me yo’ heart tied up in a paper-sack.”
Skeeter glared at her a moment, then turned and started away.
“I don’t bear you no grudge fer dem lovin’ words, Skeeter,” Tella
snickered.
* * * * *
Skeeter Butts spent a large part of the night in deep meditation.
The next morning all his friends crowded into the Hen-Scratch to
discuss the show. Tella Tandy’s revelations interested them most.
Public-domain text, read in full here on John Shaqi.
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