E. P. Roe: Reminiscences of his LifeRoe, Mary A. (Mary Abigail)
History
E. P. Roe: Reminiscences of his Life
Roe, Mary A. (Mary Abigail)
Roe, Edward Payson, 1838-1888
and when a miserable little bull was tormented into savageness, and
the semblance of a bull-fight took place, scores of people turned
away in disgust.
"The finest equestrianism could not redeem the scene from
brutality. The victims were the wretched bull, a fine innocent
horse badly gored, and the people who could not endure to see
animals suffer needlessly. So also in the afternoon great skill was
undoubtedly manifested in lassoing the feet of the wild broncho
horses, and in the process of subduing them, yet one pitied the
poor creatures too greatly for enjoyment and soon turned away. The
helpless beasts were checked in full career, often thrown upon
their heads, turning a complete somersault. One animal, I was told,
broke its neck in the operation, and so escaped further suffering.
Such scenes, no doubt, illustrated much that was common in the life
of the early settlers, but happily it is a past phase, and will
scarcely be reproduced again in this region.
"It was interesting to observe the many types of people in festival
costume, the Indian in his blanket, the Spaniard wearing the broad
sombrero, and the belle from New York reflecting the latest mode.
There was movement, light, color, vivacity, and excitement.
"Every moment or two the eye caught glimpses of swift, spirited
horses and their graceful riders, and yet one's glance was often
lured from it all to the grand, mist-veiled mountains beyond. Many
of the scenes and objects at the pavilion were very interesting to
our foreign eyes and ears. Here Spanish and American life met and
mingled in a far more agreeable way. Several ladies had taken
charge of the large building, erected for horticultural purposes,
and by the aid of greenery, flowers, flags, and a blending of
Spanish and American colors, had transformed the spacious interior
into a decorated hall well fitted for a festival. In the centre of
the hall rose a flower stand suggesting Moorish architecture, its
arches making fitting frames for the young girls within. One might
buy flowers, but his eye lingered rather on the fair flower-girls
in their charming costumes. Among the booths was one in which some
Spanish ladies had kindly permitted to be exhibited some of their
ancient treasures--velvet mantles, embroidered shawls, etc. Even to
masculine eyes they were marvellously beautiful, rich, and
intricate in their designs. The ladies stood before them with
clasped hands and expressed themselves in exclamation points. The
chief attraction, however, was the stage, on which were tableaux
and, above all, the genuine Spanish fandango. One of the dances was
a waltz, with an intricate figure which you felt might go on
forever, and that you could look on a good part of the time. At
first it struck one as merely simple, graceful, and very slow, and
Public-domain text, read in full here on John Shaqi.
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