American fiction -- 19th century; Dime novels; Popular literature
“Oh, yes,” Editha answered, with a shudder, feeling that it would be
impossible ever to forget that repulsive face that had so startled her
at the window in John Loker’s miserable home.
She was now beginning to recover her strength, and signified her
readiness to go on if her companion would accompany her. She longed to
get away from the dismal place, and as if she would never dare enter a
by-street again as long as she lived.
The man readily went with her to the next street, and waited to see her
safely seated in a car, and in less than fifteen minutes she was once
more in her own luxurious home, heartily thankful for her escape from a
ruffian’s power.
Mr. Dalton expressed some surprise at her being out so late—remarked,
with some indifference, that she looked pale, and asked if she was not
well, and then added that dinner had been waiting for more than half an
hour.
She simply replied that she was well, and regretted that he should have
waited dinner for her, but she had been unavoidably detained.
Editha Dalton knew that she must keep her own counsel regarding that
evening’s adventures.
The time had come when she could not trust her dearest interests in the
hands of her father. She knew he would have no sympathy with her
regarding the confession she had obtained and would oppose rather than
aid her in making it public to vindicate Earle.
But she had resolved to go to Mr. Felton, on the morrow, put the
precious evidence in his hands, and be guided by his ever wise counsel.
She retired to her own rooms as soon as dinner was dispatched, and
immediately set herself to work to make a careful copy of John Loker’s
confession to send to Earle. And then, with something of the fear
creeping over her that she had experienced while in Tom Drake’s power,
she looked around for a safe place in which to hide the original. She
would not take it below and put in into the safe, for she knew that
burglars were not troubled nowadays about opening such things, let them
have ever so complicated a lock, and she could not sleep until it was
safely disposed of somewhere.
“_What_ shall I do with it?” she said, with flushed cheeks and anxious
brow. “Something tells me I must _hide_ it even for to-night.”
No drawer with any common lock would be a safe place, she reasoned—she
could not keep it about her person, and for a long time it was a matter
that caused her much perplexity. All at once her eyes lighted. In her
jewel-box, which was quite a large one, there was a raised velvet
cushion, with places on it for the different articles of jewelry she was
in the habit of wearing.
This cushion was securely glued to the bottom of the box. What omen of
impending evil could have inspired Editha with the idea that underneath
this would be a safe place to hide her evidence?
Public-domain text, read in full here on John Shaqi.
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