American fiction -- 19th century; Dime novels; Popular literature
“Because, as I told you, it is absolutely necessary that the woman I
marry should have plenty of money and an established position in the
world,” he said, flushing beneath her look.
Marion smiled that strange smile again.
“Then, if I could bring you plenty of money, and assure of my undisputed
right to a good position in society, you would perhaps do me the honor
to make me your wife?”
“Yes—I suppose I might,” he replied, hesitatingly.
“And you will _not_ do that act of justice to save the woman you have
professed to love ‘better than your own life’ from the shame and
disgrace that must surely come upon her without?”
“I cannot; I——”
“_What_ hinders you?” she interrupted, with an imperative gesture.
His face assumed a dogged expression.
“The determination to be _rich_ and move in the highest circles,” he
said, his tone assuming something of defiance.
“Then you are not _rich_ now—you do not rightly belong to the high
sphere that is accredited to you—you are only a poor, miserable
fortune-hunter after all—a sham and impostor!” she cried, with biting
sarcasm and indignation.
He flushed even more hotly than before; his gaze wavered and fell
beneath the scorn in her eye, and he stood revealed in his real
character before her.
“You cannot, therefore, be hampered with a poor wife; she would be a
miserable clog upon your laudable ambition. Love, pure and holy though
it might be, weighs as nothing compared with the treasures you seek,”
she went on, until, goaded to desperation by her scorn, he turned upon
her with a snarl.
“You have learned the truth at last—what more do you want?”
“I want to know, George Sumner—and I charge you speak the truth—did you
_ever_ love me as _I_ understand the word? Is there anything of that
feeling still in your heart for me? Is there a particle of feeling in
your heart that would prompt you to sacrifice a single interest to save
me from my impending ruin? Do not dare to speak falsely—tell me, have
you any love for me?” she concluded, with a solemnity that made his
flesh creep, bold and bad as he was.
With his eyes fixed upon the carpet, as though they had been weighted
and held there, he answered:
“No; I do not love you, Marion.”
“Is there one in all the world whom you do love thus?”
“Not one,” he said.
“Not even among the ‘dozen’ with whom you have flirted?” she said, with
a hard laugh.
He cringed uneasily. He was showing himself up in a way that was not at
all agreeable to him.
Public-domain text, read in full here on John Shaqi.
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