American fiction -- 19th century; Dime novels; Popular literature
He seemed to have an intuitive idea of how matters stood between her and
Earle, and her kindness moved him deeply; and Editha just then heard a
smothered sob from the woman kneeling beside the bed.
“Have you a pencil and a piece of paper about you?” John Loker asked,
after resting a few moments. “I want you to write down what I am going
to tell you, and then I will sign it. It will be a strange ‘last will
and testament,’” he added, with a bitter smile; “but perhaps it will do
as much good as if I left a large fortune.”
Editha thought it would, too.
Yes, she had a pencil, and there was some paper in her French book that
she had taken to write an exercise on and had not used. She produced
these, and, using her books for a table, she was ready to write down the
confession that would secure to her betrothed an unspotted name and
place him where no man’s scorn would dare assail him.
CHAPTER XIX
THE FACE AT THE WINDOW
“I’ll give you a description of Tom Drake first, so you will not fail to
know him if you should ever see him,” John Loker said, when Editha
motioned him to begin.
“He’s a scamp, if there ever was one abroad in the world, and it would
be a good thing for the public if he should yet have to serve a term of
years somewhere.
“He is a tall, broad-shouldered, burly-looking man, with an ugly face on
him, square, heavy jaws, and fierce black eyes.
“His hair is red, too—something you don’t often see with black eyes.
There is a piece gone, too, from the lobe of his left ear, where he was
once shot by a policeman, and came near losing his life. He has a scar
under his right eye, and the little finger on his left hand is missing;
that was done in blowing open a safe at one time.”
Editha did not think she could fail to know him after this description,
and she already felt a sort of creeping horror in her veins as in her
mind’s eye she saw this dreadful man.
“Well, miss,” the invalid continued, “about that robbery; we’d planned
to do the thing—or, rather, he’d planned it all, and I was to help do
the dirty work, a long, long time before we found a chance to carry it
out. We’d got all the bearings, and knew just how every room in the
house lay before we ever entered it.
“On that night—it was cloudy and dark, if you remember—Tom cut out a
pane of glass from one of the area windows with a diamond he has on
purpose, while I watched to see that no one was around.
“We then easily entered by that window, and made as short work as
possible of clearing out everything of value that we could lay our hands
on in the house.
“It was about the neatest and most profitable job that was ever done in
a private house, and not a soul awoke through it all.
Public-domain text, read in full here on John Shaqi.
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