The business and social center of an ancient city was the agora or market
place. The Athenian Agora lay in the hollow north of the Areopagus and
Acropolis. The square was shaded by rows of plane trees and lined with
covered colonnades. In the great days of the city, when the Agora was
filled with countless altars and shrines, it presented a most varied and
attractive scene.
PUBLIC BUILDINGS
Not all the splendid structures in Athens were confined to the Agora and
the Acropolis. On a slight eminence not far from the Agora, rose the so-
called "Theseum," [46] a marble temple in the Doric order. Another famous
temple, the colossal edifice known as the Olympieum, lay at some distance
from the Acropolis on the southeast. Fifteen of the lofty columns with
their Corinthian capitals are still standing. The theater of Dionysus [47]
is in a fair state of preservation. Beyond this are the remains of the
Odeum, or "Hall of Song," used for musical contests and declamations. The
original building was raised by Pericles, in imitation, it is said, of the
tent of Xerxes. The present ruins are those of the structure erected in
the second century A.D. by a public-spirited benefactor of Athens.
THE ACROPOLIS
The adornment of the Acropolis formed perhaps the most memorable
achievement of Pericles. [48] This rocky mount was approached on the
western side by a flight of sixty marble steps. To the right of the
stairway rose a small but very beautiful Ionic temple dedicated to Athena.
Having mounted the steps, the visitor passed through the superb entrance
gate, or Propylaea, which was constructed to resemble the front of a
temple with columns and pediment. Just beyond the Propylaea stood a great
bronze statue of the Guardian Athena, a masterpiece of the sculptor
Phidias.
[Illustration: THE ACROPOLIS OF ATHENS (RESTORATION)]
[Illustration: ACROPOLIS OF ATHENS FROM THE SOUTHWEST]
THE ERECHTHEUM
The Erechtheum, a temple which occupies part of the Acropolis, is in the
Ionic style. It may be regarded as the best existing example of this light
and graceful order. Perhaps the most interesting feature is the porch of
the Caryatides, with a marble roof supported by six pillars carved in the
semblance of maidens. [49] This curious but striking device has been often
copied by modern architects.
ARCHITECTURE OF THE PARTHENON
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account