In Asia, Mitanni was the first neighbour of Egypt that had maintained its independence. Assyria and the Mesopotamian prince of Singar or Shinar had paid tribute to Thothmes III.; so, too, had the Hittite king, and even Babylonia had been forced to acquiesce sullenly in the annexation by Egypt of her old province of Canaan, and to beg for gifts of gold from the Egyptian mines. But Mitanni was too powerful to be attacked. Her royal family accordingly married into the Solar race of Egypt. One of her princesses was the mother of Amen-hotep III.; another was probably the mother of his son and successor, Amen-hotep IV. Amen-hotep IV. was one of the most remarkable monarchs that have ever sat upon a throne. His father died while he was still a boy, and he was brought up under the Asiatic influences of his mother Teie. But he was a philosopher by nature rather than a king. The purpose of his life was to reform the religion of Egypt, to replace it, in fact, by a pantheistic monotheism, the visible symbol of which was the solar disk. For the first time in history a religious persecution was entered on; the worship of Amon, the god of Thebes, was proscribed, and his very name erased from the monuments. Amen-hotep changed his own name to Khu-n-Aten, "the glory of the solar disk," and every effort was made to extirpate the state religion, of which he was himself the official head. But the ancient priesthood of Thebes proved too strong for the king. He left the city of his fathers, and built a new capital farther north, where its ruins are now known as Tel el-Amarna. Here he lived with the adherents of the new creed, and here he erected a temple to the god of his worship and a stately palace for himself. Along with the reformation in religion had gone a reformation in art. The old conventionalised art of Egypt was cast aside, and an attempt was made to imitate nature, exactly, even to the verge of caricature. The wall and floor paintings that have been discovered at Tel el-Amarna are marvels of realistic art. Plants and animals and birds are alike represented in them with a spirit and faithfulness to nature which is indeed astonishing. Like the houses of his followers, the palace of the king was adorned with similar frescoes. But it was also decorated with a lavish profusion of precious materials; its walls and columns were inlaid with gold and bronze and precious stones, statues almost Greek in their type stood within it, and even its stuccoed floors were covered with costly paintings. Roads were made in the desert eastward of the city, where its wealthier inhabitants took their morning drives, and the king occupied the earlier part of the clay in giving lectures or sermons on the articles of his faith.