[Illustration: _A tool to make a tool. Such burins, with a
transverse edge at the top, rather like that of a chisel, were used
by the Magdalenians to shape bone implements and engrave designs
upon them. (After Wilson, 1898.)_]
Following these Asiatics, a people whose culture was very similar to
that of the Aurignacians appeared in Europe. They were the Magdalenians,
and they carried on the general traits of the men of Aurignac and added
to them (see illustration, page 101). They made better blades and
burins. (Long, slim blades of the Aurignacian-Magdalenian type have been
found in Mexico, and there are burins in Alaska and northern Asia.) The
burins helped the Magdalenians to make new implements of bone such as
needles, fishhooks, harpoons, and spear-throwers. Besides all this, they
brought to perfection the arts of painting and sculpture which used to
be too much credited to the Aurignacians (see illustrations, pages 110
and 114). The magnificent polychromes of the Magdalenians in the Lascaux
and Font-de-Gaume Caves in France and the Altamira Cave in Spain testify
to the genius of this people. The customary dispute exists about their
time of activity. One authority puts it from 11,500 to 8,500 years ago,
and another from 70,000 to 25,000.[27] Radiocarbon indicates a probable
range of 17,000 to 10,000 years ago.
[Illustration: _Magdalenian harpoon head, 4¾ inches long, made from
an antler and discovered in the rock shelter of La Madeleine, where
engraved art of early man—a picture of a mammoth—was first found, by
Lartet, in 1864. (After Lartet and Christy, 1875.)_]
[Illustration: _The first illustration of a blade, probably
Magdalenian. (After Mercati, 1717.)_]
Weapons and Tools—from Hand Ax to Arrowhead
One of the many mysteries of prehistory is who invented the bow and
arrow. The smaller Solutrean points argue that their makers used a bow
and invented this primitive but effective machine. But since the bow was
made of wood, it has not been preserved in the caves and terraces that
spared the bone spear-throwers of the Magdalenians and the flint
projectiles; so for evidence we must fall back on the paintings of
primitive man. We find the spear-thrower portrayed in South Africa but
not in Europe. The newer weapon, the bow, is on the walls of rock
shelters in southern and eastern Spain. At first these paintings were
thought to be neolithic. Later they were credited to the Magdalenians,
in spite of the fact that the use of the human form and the bizarre and
almost humorous caricature contrast with the subjects and the style of
Magdalenian art. Now they are generally credited to the Capsians, a
people from northern Africa. The paintings resemble prehistoric work
from Rhodesia and the Tassili Mountains of southern Algeria, and also
the historic and protohistoric designs of the Bushmen (see
illustrations, pages 111 and 112).
Public-domain text, read in full here on John Shaqi.
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