Early Renaissance Architecture in England: A Historical & Descriptive Account of the Tudor, Elizabethan, & Jacobean Periods, 1500-1625Gotch, J. Alfred (John Alfred)
History
Early Renaissance Architecture in England: A Historical & Descriptive Account of the Tudor, Elizabethan, & Jacobean Periods, 1500-1625
Much elaboration was bestowed upon the chimney-pieces, of which,
indeed, there are very few simple examples to be met with. They were
made of wood, of stone, and of marble. Wood and stone were the more
usual materials employed, and it is difficult to say upon which the
detail was the more minute. The general idea that controlled the
designs was much the same in all cases, but the treatment of it
varied. The idea was to flank the fireplace opening with columns
carrying an entablature consisting of architrave, frieze, and cornice,
the projection of the latter forming a convenient shelf. On the top
of this composition was another of the same kind, but with smaller
columns and of more delicate proportion. The space enclosed between
the columns, which in the lower half was the fireplace, was occupied
in the upper half by some kind of carved subject. This was very
often the arms of the owner, being either those of the family, or
his own special achievement. At Boughton House, in Northamptonshire,
there is an example of this kind (Plate LVI.). It is fairly simple
in design; the centre-piece is the Montagu arms; on the margin of
the panel is the motto adopted by Sir Edward Montagu, who caused the
work to be done; and in the frieze below is one of the innumerable
Latin aphorisms with which houses of this time abound. The fireplace
opening occupies the full width between the sides of the chimney-piece,
and if the grate were removed, would give a tolerable idea of the
appearance of an Elizabethan fireplace, with its cast-iron fire-back
delicately modelled, and the fire-dogs, or andirons, to hold the logs
in place. This particular fire-back, however, is of a later date.
Almost contemporary with this fireplace at Boughton is one at Lacock
Abbey (Plate LVII.), equally simple in design, but executed with
more refinement, and having a very unusual adjunct in the shape of a
hearthstone ornamented with a pattern inlaid with lead. The two works
are likely to be of much the same date, as Sir William Sharington of
Lacock died in 1553, and Sir Edward Montagu of Boughton in 1556. At
Barlborough, in Derbyshire, there is a fine chimney-piece still fairly
simple, in which the upper part is devoted to the owner's personal
history (Plate LVIII.). His name was Francis Rodes, a lawyer, and
subsequently a justice of the Common Pleas. He married twice. These
facts are all set forth on the chimney-piece. His own arms, and those
of his two wives, are carved at large, and the names of his wives are
printed against their shields. The upper cornice is supported by two
caryatides instead of columns, one of whom represents Justice, in
allusion to the calling of the master. At Hatfield House, in a room
called after King James, there is a handsome marble chimney-piece, with
a large statue of the King in his robes as the centre-piece (Plate
LIX.). Here, too, there is an open hearth, with an iron fire-back and
handsome andirons. In the great chamber at South Wraxall is a very
Public-domain text, read in full here on John Shaqi.
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