Early Renaissance Architecture in England: A Historical & Descriptive Account of the Tudor, Elizabethan, & Jacobean Periods, 1500-1625Gotch, J. Alfred (John Alfred)
History
Early Renaissance Architecture in England: A Historical & Descriptive Account of the Tudor, Elizabethan, & Jacobean Periods, 1500-1625
At the junction of the ceiling and the wall was a series of mouldings
forming a cornice: these were sometimes in wood and formed the crowning
member of the oak panelling, and sometimes they were in plaster.
Beneath them on the surface of the wall there was frequently a plaster
frieze of more or less depth. Occasionally it was only a few inches
deep, as in the drawing-room at Haddon (Plate XLI.), but more usually
it was from two to three feet, and in one room at Hardwick it was much
deeper, as already mentioned (see Plate LII.). The narrower friezes
were ornamented with some kind of running pattern, the wider ones
were divided into panels in various ways, and often displayed the
family arms. Examples of the narrower kind in plaster may be seen on
Plates LIII. and LXXVI., while others forming part of the panelling
are shown on Plates XLIII., XLVII., and XLIX. Sizergh Hall (Plate L.)
has a frieze on the wood panelling and another in plaster above it.
Examples of different kinds of friezes are given in Fig. 168, and one
of considerable depth, and adorned with shields set in large panels, is
shown from Montacute (Fig. 169). A fairly deep frieze is to be seen at
Carbrook (Plate XLII.), of which a small part of the detail is shown in
Fig. 170. An example of the way in which a pattern was fitted into an
unusually-shaped space is shown in Fig. 171.
[Illustration: 170.--PART OF PLASTER FRIEZE, CARBROOK HALL, NEAR
SHEFFIELD.]
[Illustration: 171.--CEILING OF A TRIANGULAR BAY WINDOW AT LITTLE
CHARLTON, KENT.]
CHAPTER IX.
INTERIOR FEATURES (_continued_).
STAIRCASES, GALLERIES, GLAZING.
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