Early Renaissance Architecture in England: A Historical & Descriptive Account of the Tudor, Elizabethan, & Jacobean Periods, 1500-1625Gotch, J. Alfred (John Alfred)
History
Early Renaissance Architecture in England: A Historical & Descriptive Account of the Tudor, Elizabethan, & Jacobean Periods, 1500-1625
These fine staircases were clearly made for show as well as use,
because it not infrequently happens that having reached the first
floor, which was their chief object, they sweep upwards with equal
grandeur to the next, where there are only insignificant attics. The
upper staircase, however, although it leads to no important room,
would be in full view of those who came to the first floor; and it
was on this floor that some rooms were placed which were the resort
of all who were staying in the house--namely, the Great Chamber and
the Long Gallery. The great chamber was, among princes and nobles, the
presence chamber, where they received guests. It was the "Great Chamber
of Estate." In smaller houses it answered much the same end as the
drawing-room of the present day. Even so inconsiderable a person as
Slender, who was a small squire, had a great chamber in his house,
which he took care to mention casually in the course of his controversy
with Falstaff as to the picking of his pocket.
[Illustration: PLATE LXXIV.
STAIRCASE AT AUDLEY END, ESSEX.]
THE LONG GALLERY.
The Long Gallery is a feature peculiarly characteristic of the times of
Elizabeth and James. Mention has already been made of this apartment,
and of the fact that not a few houses were specially planned so as to
obtain a gallery of great length. Some of them were extravagant in this
respect, the length being as much as eight and ten times the width.
At Buckhurst House the gallery was 254 feet long by 16 feet wide, at
Ampthill 245 feet by 22 feet, but it is not quite certain that these
were not divided into two lengths each. John Thorpe shows the gallery
at Slaugham Place to be 200 feet by 27 feet, Audley End probably 190
feet by 27 feet, Holdenby 140 feet by 22 feet, Aston Hall 140 feet by
18 feet, Copthall 136 feet by 22 feet, Burghley 128 feet by 18 feet,
and Wollaton 100 feet by 18 feet. Others, to which there are no names,
are 200 feet by 20 feet, 150 feet by 25 feet, and 150 feet by 17 feet,
besides many of 80 feet in length by widths varying from 10 feet to
21 feet. The purpose of such a long apartment has never been fully
explained: it may have been for exercise; it may have had its origin
from reasons of display or in imitation of royal palaces, where its
use as an ante-room to the royal closet is easily understood; or it
may have been merely a development in planning dictated by fashion,
each person vying with his neighbour to obtain a long room. But,
however this may be, no Elizabethan or Jacobean house of any size was
without its long gallery, which was ornamented in the same way as
the great chamber, the parlours, and the hall. The walls were either
hung with tapestry or panelled, the ceiling was richly moulded, the
fireplaces, of which there were two or three in the length, were large
and elaborate. The porch of the house was often carried up to form a
bay window in the middle of the length, and advantage was taken of
Public-domain text, read in full here on John Shaqi.
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