Two other elevations are illustrated, in addition to those which have accompanied some of the foregoing plans, in order to show the kind of feeling which pervades most of the sketches in Thorpe's book. They are both isolated examples, not attached to any plan, and not named. Indeed, the first of them (Fig. 229) was probably merely a sketch, as it bears the note, "ment for one of the sydes of a house about a cort and may be made a front for a house." It is quite English in character, and is singularly free from the curly gables and fantastic pinnacles which appear on most of Thorpe's elevations, and were derived from Dutch sources. The sections through the wings should be noticed, as this is the only instance in the whole collection in which anything like a complete section is given. The section on the right hand is evidently taken through the hall, and shows its open-timbered roof of hammer-beam type. [Illustration: 230.--AN UN-NAMED ELEVATION, "THE GARDEN SYDE, LODGINGS BELOW AND GALLERY ABOVE. J. T." (PAGE 108).] The second example (Fig. 230) is nearly as simple in its treatment, but the gables break out into rather extravagant curls. The general treatment, with the large gables, the dormers, and the projecting chimney-stacks, is not unlike that of the west front of Kirby (Figs. 77, 107), but this elevation does not tally with the plan of Kirby, which is not subject to the same accurate symmetry. This drawing bears the note, "The garden syde, lodgings below and gallery above. J. T.," and as it is initialed by Thorpe, it helps to identify as his many of the other elevations. [Illustration: 231.--AN UN-NAMED PLAN (PAGES 145, 146). 1. Entrance. 2. Hall (Kitchen below). 3. Parlour. 4. Lodging Chamber. 5. Inner Chamber. 6. Buttery. 7. Woodyard. 8. Closet. 9. Stairs. 10. Open Space. 11. Terrace.]