Early Renaissance Architecture in England: A Historical & Descriptive Account of the Tudor, Elizabethan, & Jacobean Periods, 1500-1625Gotch, J. Alfred (John Alfred)
History
Early Renaissance Architecture in England: A Historical & Descriptive Account of the Tudor, Elizabethan, & Jacobean Periods, 1500-1625
Unfortunately, little detailed information has yet been obtained, or
is obtainable, concerning these men, and what we do know about them
is neither so full nor so clear as to have emerged entirely from the
perplexing mists of controversy and to have attained the serene heights
of incontrovertible fact. We know, for instance, that Henry VIII.
employed many skilled foreign workmen, especially Italians. But very
little work exists at this day which can be pointed out as theirs. We
also know that early in the second half of the sixteenth century many
Dutch artizans found refuge in England from the rigorous measures of
Alva, that licences were given to various towns to receive them, and
that a number of other towns petitioned to have strangers allotted to
them: most of these towns were situated in the counties bordering on
the sea in the East and South. But masons, joiners, and artificers in
the other trades connected with building, do not seem to have been a
large proportion of those immigrating.
The most interesting piece of foreign work, inasmuch as it was the
first done by Italians in England, can, luckily, be identified
in all important particulars, because the contract for it still
exists. It was Henry VII.'s tomb, designed, and largely executed, by
Torrigiano.[33] But beyond this tomb, and probably that of Margaret,
the mother of Henry VII., and possibly that of Dr. Young in the Rolls
Chapel, no English work of Torrigiano's is known. After him came
Benedetto da Rovezzano, who partly executed an even more splendid tomb
for Cardinal Wolsey, which was to have been placed in the specially
erected chapel in St. George's Chapel, Windsor, but which Henry VIII.
took to himself on the Cardinal's fall. Wolsey petitioned the King
for his own figure--which was to have lain upon the tomb, and could
hardly be expected to answer the same purpose for its new owner--and
for such other parts as it might please the King to give him. But
Henry retained the materials and proceeded to adapt them for his
own monument, whereon he and his queen, Jane Seymour, were to have
reposed. His queen, however, was soon replaced, and the tomb was still
unfinished at his death, and was never carried to completion. Its
metal parts were finally melted down by the Parliament Commissioners a
hundred years later, but the marble sarcophagus lingered on, and was
eventually removed to St. Paul's Cathedral in London, and utilized
in the monument of Lord Nelson. Another Italian who was employed by
Wolsey, and subsequently by Henry VIII., was Giovanni da Majano, whose
name appears in accounts of the time as being paid for certain work;
but the work itself has disappeared, except the terra-cotta roundels,
containing busts of Roman emperors, built into the walls of Hampton
Court. Toto del Nunziata was another skilful Italian whose name appears
in accounts, and he is said by Vasari to have built Henry VIII.'s
principal palace. This is generally considered to have been Nonesuch,
Public-domain text, read in full here on John Shaqi.
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