Early Renaissance Architecture in England: A Historical & Descriptive Account of the Tudor, Elizabethan, & Jacobean Periods, 1500-1625Gotch, J. Alfred (John Alfred)
History
Early Renaissance Architecture in England: A Historical & Descriptive Account of the Tudor, Elizabethan, & Jacobean Periods, 1500-1625
Such contracts as have been preserved relating to work of the sixteenth
century, go to show either that the various tradesmen provided their
own designs, or that they were to take some already executed work as
a pattern. There were separate contracts for the separate trades, but
most of them were with masons, joiners, and glaziers. The masons who
built the second court at St. John's were to make the windows after the
fashion of those in the court already built. The joiner who fitted up
the chapel was to make his work like that in Jesus College and Pembroke
Hall, "or better in every point." The joiner who executed the stalls
and the fretwork of the ceiling in the chapel at Trinity College, was
to make the stalls like those at King's College, while the frets,
battens, and pendants of the ceiling were to be made "according to the
pattern showed to the master and other of the said College for the said
frets, battens, and pendants." The glazier who provided the windows
of the hall and chapel at St. John's, was to make them of "good and
able Normandy glass of colours and pictures as be in the glass windows
within the College called Christ's College."
These contracts are useful because they state expressly the sources
whence the design was to be taken; but where the work was not done
by contract, such accounts as have been preserved point in the
same direction. After the masons had finished the second court at
St. John's, including the plastering of the walls and ceilings,
there appears an entry in the accounts for the payment of one Cobb
for "frettishing" the gallery and the great chamber--that is, for
working the ornamental plaster ceiling; and another for the payment
of the joiner for the wainscotting of the gallery and for the two
chimney-pieces there. No mention is made of any particular design,
and the presumption is that the workmen supplied their own. This
presumption is stronger in the case of the panelling of the hall at
Queen's College, where every item of cost appears, as well as the names
of the various workmen employed.
Public-domain text, read in full here on John Shaqi.
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