Early Renaissance Architecture in England: A Historical & Descriptive Account of the Tudor, Elizabethan, & Jacobean Periods, 1500-1625Gotch, J. Alfred (John Alfred)
History
Early Renaissance Architecture in England: A Historical & Descriptive Account of the Tudor, Elizabethan, & Jacobean Periods, 1500-1625
be made out, as well as the position of a clock tower; and at some
little distance there remains another niche with a headless statue in
it, no doubt that of Henry VIII., which we are told was put up on the
occasion of the Queen's second visit to Gorhambury. Her first visit was
paid in 1572, four years after the completion of the house, on which
occasion the Queen told the Lord Keeper that he had made his house too
little for him, whereupon he replied, "Not so, madam, but your Majesty
has made me too big for my house." He was, however, resolved not to be
open to such a reproach again, and on receiving an intimation that the
Queen would visit him a second time (in 1577) he is said to have built
a gallery of lath and plaster 120 feet long by 18 feet wide, beneath
which were cloisters, and in the middle of their length the statue of
King Henry in gilt armour. This enlarging of the house for the express
purpose of receiving the Queen was only one of numerous instances,
which will be referred to in a subsequent chapter, as also will the
proportion of the long galleries so distinctive of the period.
[Illustration: 72.--CHASTLETON, OXFORDSHIRE. GROUND PLAN (CIR. 1603).
1. Hall.
2. Little Parlour.
3. Great Parlour.
4. Nursery.
5. Chamber over Kitchen.
6. Pantry.
7. Parlour.]
The gallery, was panelled with oak gilt, and on the panelling were
Latin inscriptions, so aptly selected that it was considered worth
while to collect them in a small volume, illuminated with much
beauty. In the orchard was a banqueting-house, which in its turn was
adorned with busts and inscriptions. These all related to specific
subjects--grammar, arithmetic, logic, music, rhetoric, geometry, and
astrology; and each subject was not only depicted on the walls, but
was further illustrated by appropriate verses and the pictures of such
learned men as had excelled in it.[13] Although most of them were
selected from the ancients, yet Sir Nicholas Bacon was sufficiently
catholic in his taste to admit such modern names as Lilly, the
grammarian, and Copernicus, the "astrologer," the latter of whom had
only been dead some thirty years.
[13] _Nichols' Progresses of Queen Elizabeth_, Vol. II.
[Illustration: PLATE XXVI.
CRANBORNE MANOR HOUSE, DORSETSHIRE.
THE PORCH (ABOUT 1612).]
Another kind of entrance is afforded by the arcaded porch, of which a
simple example is to be seen at Hambleton, in Rutland (Fig. 71), and
a more elaborate one at Cranborne, in Dorset (Plate XXVI.), where it
was added, along with other "modern" features, to an old manor house
dating from the thirteenth century, in order to bring the house into
the prevailing fashion.
[Illustration: 73.--DOORWAY AT LYDDINGTON, RUTLAND.]
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