Early Renaissance Architecture in England: A Historical & Descriptive Account of the Tudor, Elizabethan, & Jacobean Periods, 1500-1625Gotch, J. Alfred (John Alfred)
History
Early Renaissance Architecture in England: A Historical & Descriptive Account of the Tudor, Elizabethan, & Jacobean Periods, 1500-1625
[Illustration: 116.--BRICK CHIMNEY FROM BARDWELL MANOR HOUSE,
SUFFOLK.]
[Illustration: 117.--CHIMNEY AT TOLLER FRATRUM, DORSET.]
[Illustration: 118.--CHIMNEY AT KIRBY HALL, NORTHAMPTONSHIRE.]
The general use of chimneys was at this time rather a novelty. So late
as the time of Henry VII., in the new palace called Richmond Court,
built to replace an older structure destroyed by fire in 1498, the
great hall was warmed by a fire in the middle of the floor with a
lantern in the roof over it. There is a description of the Court in
the return of the Commissioners of Parliament made in 1649, which is
interesting not only as mentioning the fire, but as bearing out what
has already been said of the hall of a large house. The higher storey,
they say,[14] "contains one fayr and large room 100 feet in length and
40 in breadth, called the Great Hall. This room hath a screen at the
lower end thereof, over which is a little gallery, and a fayr foot-pace
in the higher end thereof [the daïs]; the pavement is square tile,
and it is very well lighted and seeled [_i.e._, panelled with wood],
and adorned with eleven statues in the sides thereof; in the midst a
brick hearth for a charcoal fire, having a large lanthorn in the roof
of the hall fitted for that purpose, turreted and covered with lead."
But early in the sixteenth century chimneys came into general use, and
they are one of the most characteristic features of a Tudor house. They
were generally built of moulded brick, and were fashioned in elaborate
and complicated ways. An illustration from Droitwich is given in Fig.
114, in which the moulded bases stand on panelled pedestals; the
shafts also are moulded, each after a different manner, and the caps
are crowned with a battlemented ornament. Some of the simpler forms are
illustrated among the details from Layer Marney (Plate XIII.), also
from Huddington Court House, in Worcestershire (Fig. 115), Bardwell, in
Suffolk (Fig. 116), and a stone example from Toller Fratrum, in Dorset
(Fig. 117). But far richer specimens are to be seen at Compton Winyates
(Plate XI.) or at Hengrave (Fig. 43), besides many other places. With
the death of Henry VIII. this elaboration disappeared, and a plainer
treatment prevailed. In some of the more pretentious edifices the
chimneys were cast into the form of columns, as they were at Wollaton
(Plate XXVII.) and Burghley (Plate XXVIII.), and at Montacute also,
where the column carries a kind of stone cowl. The columnar form had
occasionally been used in earlier days; there is a well-proportioned
and excellently wrought example at Lacock Abbey (Plate XXXVI.), where
the shafts are fashioned into fluted columns, and the cap takes the
shape of a short length of classic entablature with architrave,
frieze, and cornice complete. The columns stand upon a pedestal, the
face of which is occupied with a panel surrounded by strap-work;
and as there seems every reason to suppose the work to be part of
Public-domain text, read in full here on John Shaqi.
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