Early Renaissance Architecture in England: A Historical & Descriptive Account of the Tudor, Elizabethan, & Jacobean Periods, 1500-1625Gotch, J. Alfred (John Alfred)
History
Early Renaissance Architecture in England: A Historical & Descriptive Account of the Tudor, Elizabethan, & Jacobean Periods, 1500-1625
It was perhaps natural in those days that when Queen Elizabeth visited
the great seats of learning she should be greeted with a shower
of Latin verses and orations. Pages after pages of these have been
preserved, but it seems extremely doubtful whether the recipient of
them could have found time to master their contents. The orations she
listened to and understood, for the expression of her face is said to
have changed with the subject-matter of the speeches, and some of them
she answered in the same tongue. But it was by no means to Eton or to
Oxford and Cambridge that Latin verses and orations were confined:
obscure parsons in small towns seized their opportunities, and were
often handsomely praised by the Queen for their skill. As to verses,
when she visited Sandwich in 1573, "upon every post and corner, from
her first entry to her lodging, were fixed certain verses, and against
the court gate all these verses put into a table [_i.e._, a frame] and
there hanged up."
The Queen's visit to Kenilworth Castle in July, 1575, is one of the
best known episodes of her Progresses, and the "Princely Pleasures at
Kenilworth Castle," recorded (and largely devised) by George Gascoigne,
consisted of the same kind of entertainments as greeted her at her
coronation. They are too long to quote extensively, but a few of the
principal efforts will serve to show the kind of spirit that was abroad
at the time.
As the Queen approached the castle, Sybilla met her and prophesied
prosperity in a number of verses. On entering the gate Hercules, who
acted as porter, seemed inclined to dispute her entry, but being
overcome by the "rare beauty and princely countenance" of her Majesty,
he gave up his keys, and burst into poetry. In the base-court there
came a lady, attended by two nymphs, and the lady welcomed her Majesty
in another set of verses. A few steps further on came an actor clad
like a poet, who pronounced a number of Latin verses, which were
also fixed over the gate in a frame. After leaving the poet, she was
received into the inner court with sweet music, and then escaped to
her own "lodgings." A day or two after her arrival there met her in
the forest, as she came from hunting, one clad like a Savage man, all
in ivy, who was so much overcome with wonder at the Queen's presence
that he fell to quarrelling with Jupiter, and called upon Echo to
explain who the resplendent personage might be, incidentally contriving
to lavish a number of compliments in the course of the inquiry.
Then Triton came, and the Lady of the Lake, and Proteus sitting on a
dolphin's back, who all delivered themselves of further compliments in
lengthy verses. It is just conceivable that her Majesty grew a little
weary of these pedantic interludes, for one long show was prepared
by Master Gascoigne, in which Diana and her nymphs, Mercury, Iris,
and others were to have acted; but in spite of every actor being
ready in his garment for two or three days together, it never came to
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