serious thing; and as we believe that Keats was made presumptuous
chiefly by the treacherous puffing of his cockney fellow gossips, and
profligate in his poems merely to make them saleable, we regret that he
did not live long enough to acquire common sense, and abjure the
pestilent and perfidious gang who betrayed his weakness to the grave,
and are now panegyrising his memory into contempt. For what is the
praise of cockneys but disgrace, or what honourable inscription can be
placed over the dead by the hands of notorious libellers, exiled
adulterers, and avowed atheists.
Adonais, an Elegy, is the form in which Mr. Shelley puts forth his woes.
We give a verse at random, premising that there is no story in the
elegy, and that it consists of fifty-five stanzas, which are, to our
seeming, altogether unconnected, interjectional, and nonsensical. We
give one that we think among the more comprehensible. An address to
Urania:--
"Most musical of mourners, weep anew!
Not all to that bright station dared to climb;
And _happier they their happiness who knew_,
Whose _tapers yet burn thro' that night of time
In which suns perish'd_; Others more sublime,
Struck by the _envious_ wroth of man or GOD!!
_Have sunk extinct in their refulgent prime_;
And some yet live," &c.----
Now what is the meaning of this, or of any sentence of it, except indeed
that horrid blasphemy which attributes crime to the Great Author of all
virtue! The rest is mere empty absurdity. If it were worth our while to
dilate on the folly of the production, we might find examples of every
species of the ridiculous within those few pages.
Mr. Shelley summons all kinds of visions round the grave of this young
man, who, if he has now any feeling of the earth, must shrink with
shame and disgust from the touch of the hand that could have written
that impious sentence. These he classifies under names, the greater
number as new we believe to poetry as strange to common sense. Those
are--
----"Desires and _Adorations_
Winged _Persuasions_ and veiled Destinies,
_Splendours_, and _Glooms_, and glimmering _Incarnations_
Of hopes and fears and twilight Phantasies,
And Sorrow with her family of _Sighs_,
And Pleasure, _blind with tears_! led by the _gleam_
Of her own _dying_ SMILE instead of eyes!!"
Let our readers try to imagine these weepers, and close with "_blind_
Pleasure led," by what? "by the _light_ of _her own dying
smile_--instead of _eyes_!!!"
We give some specimens of Mr. S.'s
Public-domain text, read in full here on John Shaqi.
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