Seemingly, however, the translators who advocated the employment of the hexameter made little use of the argument that to do so made it possible to reproduce the original more faithfully. Stanyhurst, who says that in his translation of the first four books of the _Aeneid_ he is carrying out Ascham's wish that the university students should "apply their wits in beautifying our English language with heroical verses," chooses Virgil as the subject of his experiment for "his peerless style and matchless stuff,"[334] leaving his reader with the impression that the claims of his author were probably subordinate in the translator's mind to his interest in Ascham's theories. Possibly he shared his master's belief that "even the best translation is for mere necessity but an evil imped wing to fly withal, or a heavy stump leg of wood to go withal."[335] In discussion of the style to be employed in the metrical rendering there was the same failure to make explicit the connection between the original and the translation. Many critics accepted the principle that "decorum" of style was essential in the translation of certain kinds of poetry, but they based their demand for this quality on its extrinsic suitability much more than on its presence in the work to be translated. In Turbervile's elaborate comment on the style which he has used in his translation of the _Eclogues_ of Mantuan, there is the same baffling vagueness in his references to the quality of the original that is felt in the prefaces of Lydgate and Caxton. "Though I have altered the tongue," he says, "I trust I have not changed the author's meaning or sense in anything, but played the part of a true interpreter, observing that we call Decorum in each respect, as far as the poet's and our mother tongue will give me leave. For as the conference between shepherds is familiar stuff and homely, so have I shaped my style and tempered it with such common and ordinary phrase of speech as countrymen do use in their affairs; alway minding the saying of Horace, whose sentence I have thus Englished: To set a manly head upon a horse's neck And all the limbs with divers plumes of divers hue to deck, Or paint a woman's face aloft to open show, And make the picture end in fish with scaly skin below, I think (my friends) would cause you laugh and smile to see How ill these ill-compacted things and numbers would agree.