“At length the following mode occurred to me of accounting
satisfactorily, as I still think it does, for the dissimilarities
above noticed in the type of that work. The type of the
_Speculum_ was, I conceive, made by pouring melted lead, pewter,
or other metal, into moulds of earth or plaster, formed, whilst
the earth or plaster was in a moist state, upon letters cut by
the hand in wood or metal; in the ordinary manner used, from time
immemorial, in casting statues of bronze and other articles of
metal, whether for use or ornament. The mould thus formed could
not be of long duration like a matrix, cut or stamped in metal,
since it was obviously subject to fracture; nor could it be
equally true and perfect in other respects, as it was liable to
warp in drying. From moulds thus constructed, but a small number
of specimens of each letter could be taken, before they would
require to be renewed. This it is reasonable to suppose, was
effected _by forming new moulds upon the various pieces which
had been cast out of the old ones_. Those characters however,
before they could have been fit for use, it had been necessary
to clear, by means of the graver, from certain small particles
of extraneous metal left upon them by the process of casting; so
that the small accidental dissimilarities in different specimens
of the same letter, originally occasioned by this imperfect mode
of casting them, were necessarily augmented by the after process
of finishing or clearing them with a sharp instrument, (the marks
of which are very clearly to be perceived in the type of the
Speculum); and thus the renewed moulds, formed upon the letters
thus prepared, would necessarily differ, and in some cases very
materially, from the former moulds, and also (for these moulds
could be multiplied at pleasure) from each other. That a book,
printed with type thus manufactured, should present a never
ending variety in the forms of the different specimens of the
same letter, is therefore not surprising; it is rather a subject
for our admiration that the dissimilarity in the characters in
the work before us is not greater and more immediately apparent.”
The above mode of accounting for the discrepancies in the appearances
of the different specimens of the same letter, is opposed to that put
forward by Koning, who takes it for granted that the types were cast
by the printer of the _Speculum_ in the same way, and with the same
kind of apparatus, as that now used by type-founders, only that the
punches were made of hard wood, and the matrices of lead or pewter; and
he accounts for certain peculiar fractures he had perceived in several
instances on the top of the capital =E= as well as in a number of the
capital =M= in which a part of the central upright stroke was broken in
the middle, by supposing that some of the punches had been continued in
use after they had received small injuries.
Public-domain text, read in full here on John Shaqi.
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