In these memoranda, says Mr. Humphreys, (pp. 66-67) “we have positive
proof that printed Doctrinals were commonly sold in Flanders in 1445;
and M. Bernard was the first to elucidate the full value and bearing
of this passage, of which M. Van Praet,[128] who had already mentioned
it, failed to see the drift, from not understanding the meaning of the
term _gette_, or rather _jette_, _en molle_, which simply means cast
in a mould, in reference to the metallic types, which were so cast.
That M. Bernard is correct in his explanation of the term, is clearly
proved by many passages having reference to the same subject, in which
the term is used as one well understood. For instance, in the letters
of naturalization accorded to the first printers with moveable types
established in Paris, a document dated 1474 (old style) the terms
_ecriture en molle_ or writing by means of moulds, or moulded letters,
is used. Also, in 1496, on the occasion of the purchase of two books
of prayer by the Duke of Orleans, the Constable describes them as
both _escrites en moule_. Also, in the list of furniture and books of
Anne of Britanny about the same time, books are mentioned ‘_tant en
parchemin que en papier, à la main, et en molle_;’ that is, both on
vellum and on paper, both manuscript and printed.”
Commenting upon these memoranda, Mr. Blades exclaims, “_Jettez en
molle!_--Cast in a mould! What can this expression mean, except
that the ‘Doctrinals’ were printed from cast types? As applied to
manuscripts, or to stencilling, or to block-printing, ‘_jettez en
molle_’ has no meaning whatever.”
“Drowning men,” it has well been said, “will clutch at a straw,” and
surely a consciousness of the peril in which their argument stood, must
have made the above writers clutch at Abbé Jean le Robert’s memoranda
in the way they have. It may be admitted, that the phrase “à la main,
et en molle,” means “_both manuscript and printed_;” but upon what fair
principle of philology M. Bernard and Mr. Humphreys make out that the
words “jettez en molle,” “ecriture en molle,” and “escrites en moule,”
mean “cast in a mould, _in reference to the metallic types which were
so cast_,” and “writing by means of moulds, _or moulded letters_;” is
more than I can make out. They may certainly be understood in such a
sense _now_, but when originally used they could only have referred
to the moulded appearance,--the indented impressions on the leaves of
the book, totally irrespective of the types or blocks by which such
appearance was produced.
Public-domain text, read in full here on John Shaqi.
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